The Leaning Pile of Books is a feature where I talk about books I got over the last week – old or new, bought or received for review consideration. Since I hope you will find new books you’re interested in reading in these posts, I try to be as informative as possible. If I can find them, links to excerpts, author’s websites, and places where you can find more information on the book are included.

Only one book this week, but it sounds like a good one since science fiction stories influenced by fairy tales tend to pique my interest.

When We Wake by Karen Healey

When We Wake by Karen Healey

This young adult science fiction novel will be released in hardcover and ebook on March 5, 2013. There will be a sequel to When We Wake told from a different character’s perspective.

I haven’t read anything by Karen Healey, but I have heard good things about her other books (Guardian of the Dead and The Shattering). It intrigues me to see that When We Wake was influenced by “Sleeping Beauty” and the author has been writing essays about Sleeping Beauty stories leading up to the book’s release.

 

My name is Tegan Oglietti, and on the last day of my first lifetime, I was so, so happy.

Sixteen-year-old Tegan is just like every other girl living in 2027–she’s happiest when playing the guitar, she’s falling in love for the first time, and she’s joining her friends to protest the wrongs of the world: environmental collapse, social discrimination, and political injustice.

But on what should have been the best day of Tegan’s life, she dies–and wakes up a hundred years in the future, locked in a government facility with no idea what happened.

Tegan is the first government guinea pig to be cryonically frozen and successfully revived, which makes her an instant celebrity–even though all she wants to do is try to rebuild some semblance of a normal life. But the future isn’t all she hoped it would be, and when appalling secrets come to light, Tegan must make a choice: Does she keep her head down and survive, or fight for a better future?

Award-winning author Karen Healey has created a haunting, cautionary tale of an inspiring protagonist living in a not-so-distant future that could easily be our own.

In an effort to get caught up on reviews, I’m writing some mini-reviews! Instead of writing my own plot description, I am just going to show the book blurb, followed by my thoughts on the book.

 

A god has died, and it’s up to Tara, first-year associate in the international necromantic firm of Kelethres, Albrecht, and Ao, to bring Him back to life before His city falls apart.

Her client is Kos, recently deceased fire god of the city of Alt Coulumb. Without Him, the metropolis’s steam generators will shut down, its trains will cease running, and its four million citizens will riot.

Tara’s job: resurrect Kos before chaos sets in. Her only help: Abelard, a chain-smoking priest of the dead god, who’s having an understandable crisis of faith.

When Tara and Abelard discover that Kos was murdered, they have to make a case in Alt Coulumb’s courts—and their quest for the truth endangers their partnership, their lives, and Alt Coulumb’s slim hope of survival.

Set in a phenomenally built world in which justice is a collective force bestowed on a few, craftsmen fly on lightning bolts, and gargoyles can rule cities, Three Parts Dead introduces readers to an ethical landscape in which the line between right and wrong blurs.

There was no way I was not going to read Three Parts Dead after reading the description and a little bit of the beginning. I love stories involving gods, and I was rather intrigued by the idea of a woman whose job involved resurrecting a god from the dead. The opening line, “God wasn’t answering tonight,” drew me in along with the rest of the prologue and the first few pages about Tara being cast out from the Hidden Schools. After finishing the book, I wasn’t quite sure what to think, though. It had some excellent qualities and was very unique, but… I didn’t love it or find the story of investigating the death of the god particularly compelling. Even so, I am really interested in what Max Gladstone writes next since I did enjoy his writing style, world, and characters very much.

The world in Three Parts Dead has a touch of the familiar, but it’s mostly very unique and complex. It has a bit of an older-school modern city feel with horse-drawn taxis and clubs, and its population includes vampires, gargoyles, priests, and practitioners of Craft like Tara and her new boss, Elayne. There’s a lot to absorb with the gods, Craft, and the rules of this world. It’s fascinating, but at the same time I did think the world seemed simultaneously underdone and overdone, which I think is mainly due to its intricacy. Much of the world is revealed through infodumps and explanations in the dialogue, and I felt this made it seem overdone because there was so much information at once. On the other hand, there was so much to the world that it seemed to just be scratching the surface, leaving me feeling like I knew so little about it despite all the details I’d been told. Because of this, parts of the world seemed a bit vague to me despite the detail, but I did find it a very interesting place to visit.

In a lot of books that have investigations the characters seem like they are bumbling around to draw out the case, but the main characters in this one do not behave that way at all. Tara and Elayne are both very capable and intelligent, and Elayne especially is sharp-witted and observant. Even though I loved their portrayal, there seemed to be a distance from them. I understood their basic motivations, but I never felt that I understood who they truly were as people.

The author does know how to turn a phrase, and his characters display their intelligence through their dialogue and conversation. However, I did find the actual investigation to be dull other than how it turned out in the end. Three Parts Dead also had an amazing, memorable ending scene that completely took me by surprise (and convinced me that Elayne is just plain awesome).

It’s difficult to sum up my thoughts on Three Parts Dead. Part of me loves it since it’s not a dumbed down book that spells everything out for the reader, it has some really interesting characters who are intelligent and competent, and it has a great ending I was not at all expecting. Another of me doesn’t because there were times that the story itself bored me, despite all its other wonderful qualities, and I had some reservations about the amount of world detail. However, I do think it is a stellar debut, and the author has an excellent handle on writing, characters, and imaginative world-building. If the storyline had just drawn me in a bit more, I would have been enthralled by this book. As it is, I’d certainly like to read more by Gladstone since I think this novel had some excellent qualities.

My Rating: 7/10

Where I got my reading copy: Review copy from the publisher.

Read an Excerpt

Other Reviews of Three Parts Dead:

As often happens after the holidays at the end of the year, I’ve gotten behind on reviews. I want to mention the books I’ve read, but I also want to get caught up since I’m trying to set some reading/review schedules for myself and that’s hard to do when I’m so far behind. So… I’m going to attempt some mini-reviews! I’m not necessarily going to review everything currently in my to-review stack this way, but I am going to review the newer books I’ve seen reviewed (often many times before) in fewer words than normal. Instead of writing my own plot description, I am just going to show the book blurb, followed by my thoughts on the book.

About Seraphina:

 

Four decades of peace have done little to ease the mistrust between humans and dragons in the kingdom of Goredd. Folding themselves into human shape, dragons attend court as ambassadors, and lend their rational, mathematical minds to universities as scholars and teachers. As the treaty’s anniversary draws near, however, tensions are high.

Seraphina Dombegh has reason to fear both sides. An unusually gifted musician, she joins the court just as a member of the royal family is murdered—in suspiciously draconian fashion. Seraphina is drawn into the investigation, partnering with the captain of the Queen’s Guard, the dangerously perceptive Prince Lucian Kiggs. While they begin to uncover hints of a sinister plot to destroy the peace, Seraphina struggles to protect her own secret, the secret behind her musical gift, one so terrible that its discovery could mean her very life.

In her exquisitely written fantasy debut, Rachel Hartman creates a rich, complex, and utterly original world. Seraphina’s tortuous journey to self-acceptance is one readers will remember long after they’ve turned the final page.

Rachel Hartman’s debut novel, a young adult fantasy, seems to have been lauded all over the book blogosphere since its release last summer. Now that I’ve read it myself, I understand the praise it has garnered. This is an incredible first novel with some beautiful writing, an intriguing setting, a wonderful heroine, and a complex world. I am now joining the ranks of those who highly recommend this book!

I loved the complexity of the world Rachel Hartman created with its numerous saints and the melding of human and dragon societies after the treaty. In particular, I admired how she didn’t simplify the peace between humans and dragons. Sure, there was a treaty, but that didn’t mean humans and dragons just started living in harmony because their respective leaders decided they should. (And I am desperately wishing for a prequel telling the story of the young queen who negotiated peace with a dragon. Now that had to have taken some courage!) Even forty years later, humans and dragons still have their prejudices concerning each other that permeates their societies, which rings completely true since changes that big take time. Dragons look down on humans for their emotions, and humans believe dragons to be soulless creatures, thinking poorly of their lack of artistic talent. Yet the more I read, the more apparent it is that it’s not as simple as “dragons are this way,” and I loved that it dealt with regulation and expectations reinforcing beliefs.

Seraphina herself is a wonderful character facing some rather large obstacles. She carries a secret about herself that would have dire consequences were it revealed. Due to fear of her secret being discovered, Seraphina’s father would prefer she remain in safe isolation, but Seraphina has other plans for herself. Her great musical talent leads her to court, where she becomes the assistant to the composer. I loved that Seraphina didn’t let herself live in fear and followed her dreams, even when she was discouraged from doing so. She possesses a courageous spirit, determination, wit, and a kind heart—but her possession of these excellent qualities is not overwhelming, nor is she flawless. Seraphina has enough insecurities and humanity to be sympathetic while remaining an admirable character. Though the titular character is my favorite, I also appreciated that many of the other characters were more complicated than they initially appeared (such as Glisselda, who was much smarter than the simple spoiled princess I thought her to be in the beginning).

In addition to having a strong world and characters, the novel is compulsively readable, difficult to put down, and well-written. I think Seraphina has one of the better prologues I’ve read (I usually find prologues bland and pointless). It’s only 5 pages long, but it captured my attention with the very first line: “I remember being born.” In those few pages, it shows a little of Seraphina’s early life while introducing the religious part of the world and her relationships with her father and Orma.

The main downside to the book is that it could be somewhat predictable. For instance, there was a revelation about one particular aspect Seraphina had wondered about for a long time that wasn’t difficult to figure out (and I felt like maybe Seraphina or Orma should have at least considered that possibility sooner). There were also a few parts I found slow toward the beginning, but for the most part, I found it pretty easy to devour its pages.

Seraphina is a stunning debut novel, and I’m looking forward to the sequel, likely be released in spring 2014.

My Rating: 8/10

Where I got my reading copy: I purchased it.

Read “The Audition” (a short prequel to Seraphina)

Other Reviews of Seraphina:

The Leaning Pile of Books is a feature where I talk about books I got over the last week – old or new, bought or received for review consideration. Since I hope you will find new books you’re interested in reading in these posts, I try to be as informative as possible. If I can find them, links to excerpts, author’s websites, and places where you can find more information on the book are included.

This week quite a few ARCs/finished copies showed up, and a lot of them are ones I’m really excited to read. Half of these were finished copies of books I already discussed when ARCS showed up so I’m not going to show the cover and blurb for them again. However, I am going to list them here with links to the posts where they were discussed in case you’re curious:

I will be reading The Best of All Possible Worlds as soon as I finish the book I just started – it sounds amazing and I’ve heard it’s wonderful!

On to the new books…

Ghost Spin by Chris Moriarty

Ghost Spin by Chris Moriarty

Ghost Spin will be released in trade paperback and ebook on April 30, 2013. It’s set in the same universe as Chris Moriarty’s other two hard science fiction books (Spin State and Spin Control), but all three stand alone. Moriarty’s debut, Spin State, was a finalist for the Philip K. Dick Award, and her second novel, Spin Control, won the Philip K. Dick Award. Spin Control was also a Lambda Literary Award nominee in the category Best SF Novel.

Read an excerpt from the previous two books:

I have heard wonderful things about Chris Moriarty’s books, and I’m really interested in reading some of her work. Plus I think this particular book sounds pretty intriguing.

 

Sometimes a ghost of a chance is all you get.

Award-winning author Chris Moriarty returns to a dazzling cyber-noir far future in this gritty, high-stakes thriller where the only rule is “Evolve . . . or die.”

The Age of Man is ending. The UN’s sprawling interstellar empire is failing as its quantum teleportation network collapses, turning once-viable colonies into doomed island outposts. Humanity’s only hope of survival is the Drift: a mysterious region of space where faster-than-light travel—or something far stranger—seems possible. As mercenaries and pirates flock to the Drift, the cold war between the human-led UN and the clone-dominated Syndicates heats up. Whoever controls the Drift will chart the future course of human evolution—and no one wants to be left behind in a universe where the price of failure is extinction.

When the AI called Cohen ventures into the Drift, he dies—allegedly by his own hand—and his consciousness is scattered across the cosmos. Some of his ghosts are still self-aware. Some are insane. And one of them hides a secret worth killing for. Enter Major Catherine Li, Cohen’s human (well, partly human) lover, who embarks on a desperate search to solve the mystery of Cohen’s death—and put him back together. But Li isn’t the only one interested in Cohen’s ghosts. Astrid Avery, a by-the-book UN navy captain, is on the hunt. So is William Llewellyn, a pirate who has one of the ghosts in his head, which is slowly eating him alive. Even the ghosts have their own agendas. And lurking behind them all is a pitiless enemy who will stop at nothing to make sure the dead don’t walk again.

The Grail of the Summer Stars by Freda Warrington

Grail of the Summer Stars (Aetherial Tales #3) by Freda Warrington

Grail of the Summer Stars will be released in hardcover and ebook on April 23, 2013. The first two Aetherial Tales stood alone, and this one is supposed to be connected to the others while remaining a self-contained story. You can read more about Freda Warrington’s plans for the book in my interview with her, but that was in February 2011 so it’s possible her plans may have changed a bit since then!

I am incredibly excited to read this book because I LOVED Elfland and also enjoyed Midsummer Night (the first two Aetherial Tales books, published in that order). Freda Warrington’s writing is gorgeous, and I also think she did some really interesting things with the latter book, even though I loved the drama of the first book more.

 

The climactic concluding novel in the spellbinding magical contemporary fantasy Aetherial Tales trilogy

A painting, depicting haunting scenes of a ruined palace and a scarlet-haired goddess in front of a fiery city, arrives unheralded in an art gallery with a cryptic note saying, “The world needs to see this.” The painting begins to change the lives of the woman who is the gallery’s curator and that of an ancient man of the fey Aetherial folk who has mysteriously risen from the depths of the ocean. Neither human nor fairy knows how they are connected, but when the painting is stolen, both are compelled to discover the meaning behind the painting and the key it holds to their future.

In Grail of the Summer Stars, a haunting, powerful tale of two worlds and those caught between, Freda Warrington weaves an exciting story of suspense, adventure and danger that fulfills the promise of the Aetherial Tales as only she can.

London Falling by Paul Cornell

London Falling by Paul Cornell

London Falling, the first book in a dark contemporary fantasy series whose name I can’t find, will be released in hardcover and ebook on April 16, 2013 in the US (it is already out in the UK). The author has written for television, including Doctor Who, and he has also written novels and comic books. If you want to read more, here is a brief interview with Paul Cornell and an excerpt containing the first two chapters from London Falling.

 

The dark is rising . . . Detective Inspector James Quill is about to complete the drugs bust of his career. Then his prize suspect Rob Toshack is murdered in custody. Furious, Quill pursues the investigation, co-opting intelligence analyst Lisa Ross and undercover cops Costain and Sefton. But nothing about Toshack’s murder is normal. Toshack had struck a bargain with a vindictive entity, whose occult powers kept Toshack one step ahead of the law – until his luck ran out. Now, the team must find a ‘suspect’ who can bend space and time and alter memory itself. And they will kill again. As the group starts to see London’s sinister magic for themselves, they have two choices: panic or use their new abilities. Then they must hunt a terrifying supernatural force the only way they know how: using police methods, equipment and tactics. But they must all learn the rules of this new game – and quickly. More than their lives will depend on it.

Exile by Betsy Dornbusch

Exile (Seven Eyes #1) by Betsy Dornbusch

Exile will be released in hardcover and audio format on February 5, 2013. I was pretty intrigued by this one when the author contacted me about reviewing it since she had quotes about the book from both Carol Berg and Courtney Schafer (two authors whose work I’ve loved!). I’ve already started reading this, and after reading nearly 50 pages, I’m interested in seeing what happens.

There is an excerpt from Exile on the author’s website.

 

Draken vae Khellian, bastard cousin of the Monoean King, had risen far from his ignominious origins, becoming both a Bowrank Commander and a member of the Crown’s Black Guard. But when he is falsely condemned for the grisly murder of his beloved wife, he is banished from the kingdom and cast upon the distant shore of Akrasia, at the arse-end of the world.

Compared to civilized Monoea, Akrasia is a forbidding land of Moonlings, magic, and restless spirits. It is also a realm on the brink of a bloody revolution, as a sinister conspiracy plots against Akrasia’s embattled young queen–and malevolent banes possess the bodies of the living.

Consumed by grief, and branded a murderer, Draken lives only to clear his name and avenge his wife’s murder. But the fates may have bigger plans for him. Alone in a strange land, he soon finds himself sharing the bed of an enigmatic necromancer and a half-breed servant girl, while pressed into the service of a foreign queen whose life and land may well depend on the divided loyalties of an exiled warrior . . .

Exile is the beginning of an ambitious fantasy saga by an acclaimed new author.

The Desert of Souls by Howard Andrew Jones is a sword and sorcery novel set in eighth century Baghdad. The second book in The Swords and Sands Chronicle, The Bones of the Old Ones, was released toward the end of last year, and it is supposed to work as a self-contained story like The Desert of Souls. Even though the novels are fairly recent, there have been short stories featuring the same characters written by Jones and published during the last ten years.

When Jaffar’s favorite parrot dies, his Captain of the Guard, Asim, decides his master needs a diversion from his sadness. He suggests Jaffar do as his friend the caliph does: go to the market disguised as a commoner in hopes of returning with entertaining stories to tell his friends. Jaffar agrees, and he, Asim, and the scholar Dabir have their fortunes told by an old woman. She prophesies that Dabir will become known as a courageous slayer of monsters, Asim will become a renowned storyteller, and Jaffar will end up beheaded for falling in love with a woman above his rank. However, she also says if they do not go out into the streets immediately, none of these fates will come to pass.

As the three head out to the streets, Jaffar comes to the conclusion that the woman confused his fortune with Dabir’s, believing Dabir to be in love with his own niece, Sabirah. Before Jaffar can finish arguing his case, a wounded man falls before them and dies while trying to tell them they need to relay a message to the caliph about door pulls. The three are unsure of the exact meaning of this, but they find some rather magnificent door pulls among the man’s belongings and decide to investigate this matter. Dabir and Sabirah discover they appear to be associated with Ubar, a wealthy city destroyed by Allah. Those who killed the one possessing them may be seeking this lost city, its riches, and the Keeper of Secrets, who exchanges souls for knowledge. When the door pulls are stolen from them, Asim and Dabir go on a journey to find them—but can they work together to stop the thieves with Jaffar’s newfound distrust of Dabir hanging over them?

The Desert of Souls is largely an adventure containing dark magics, undead animals, a djinn, and a lost city, but I think its major strength is its emphasis on storytelling. At the beginning of the story, it’s foretold that Asim will become known as a great storyteller, and it is assumed that The Desert of Souls is one of these stories he wrote later in his life. There’s a scene in which Asim is asked to tell a story firsthand, and the observations the poet Hamil makes about Asim’s tale relate directly to the story. Hamil notes that a good storyteller does more than just give the facts about what happened and tailors the story to the audience. Asim’s narrative is a perfect example of how to tell a story since he does do much more than relate events, but gives them life through his descriptions. For example, his brief description of Jaffar’s dead parrot tells the reader more than that he simply died, managing to give a picture of what the bird’s personality was like when he was alive:

 

The parrot lay on the floor of his cage, one claw thrust stiffly toward the tiny wooden swing suspended above him. The black olive clenched in his beak was the definitive sign that Pago was a corpse, for while he had fooled us all by playing dead in the past, he had never failed to consume an olive. [pp. 1]

When some bandits who were chasing them disappear, Asim gives some insight into the nature of bandits instead of simply stating they relented in their chase:

 

Men given over to vengeance or greed might have pursued us more vigorously; these men, though, were weary, and it must be remembered that bandits by inclination are lazy, else they would have chosen a profession that required more sustained effort and less hazard of life. [pp. 120]

Asim also conveys much about his nephew in a couple of brief sentences:

 

I had found him his post, and I was ever proud to say so. He was not one of those relatives you shamefacedly found minor positions for while hoping no one would later recall your blood tie; he was the sort you boldly pointed out as a sign that God had smiled upon your family. [pp. 121]

I loved the writing style and thought it showcased Asim’s ability to tell a story very well, and I also enjoyed wondering just how much he embellished. When he told a story to the other characters, it was later pointed out to him by his nephew that some of the details were different last time he told it. Asim reminded him that a good storyteller tailored the story to his audience, and I had to wonder just what he had modified in his story told in The Desert of Souls. The story itself was fun to read but ultimately not that memorable or original, and I think Asim’s narration was easily the best part of The Desert of Souls.

While I enjoyed Asim’s voice, he could be a very frustrating character. To be frank, he could be very numb. There was one point he made a stupid mistake that seemed as though it would end badly, and it was indeed a very costly error. He also started off thinking Sabirah was a “silly girl” when she was quite obviously more intelligent than he was. Despite his glaring faults, Asim is mostly likable since he is brave and honest, but it is both interesting and infuriating to read about a character who can be so blind to the obvious. Asim does have his moments of clarity, though, and there are times when he sees more clearly than even the smartest people around him, which I thought added some nice depth to some characters who weren’t particularly fleshed out.

The Desert of Souls is most successful in its narration and focus on storytelling. The narrator has some intriguing quirks with his oversights, but neither he nor any of the other characters are particularly deep. The story can be entertaining, but it’s a conventional adventure with a standard setting and not terribly memorable on its own merits. However, the writing shines by painting a detailed picture with brevity, making it believable that the narrator Asim is indeed a great storyteller, writing down his adventures for the ages.

My Rating: 7/10

Where I got my reading copy: I purchased it.

Read an Excerpt from The Desert of Souls

Other Reviews of The Desert of Souls:

Hugo Award

This year is the first year I have signed up to nominate and vote for the Hugo Awards. I’ve considered it a few times, but I always felt like I’d never read enough from a given year to vote. Thanks in part to an article encouraging fans to vote for the Hugo Awards written by Renay from Lady Business, I started to think about it more seriously, especially after reading this part:

 

There’s no wrong way to participate. There’s no wrong way to be a fan. There’s space on that rocket for everyone, if we want to get all sappy about it, and the more diverse the participants engaging in this fan award are, the more it becomes an inclusive, representative award that’s going to reach more people and bring them into fandom. No, it will never be perfect; no popular award can be. But we can make it better with as many perspectives as possible.

I’ve definitely hesitated to even think about voting before because I did feel that maybe I hadn’t read the very best books worthy of nomination. But you know what? The Hugo is a fan award: all one really needs to do to participate is vote for a work they feel strongly about. No one would ever vote if it was necessary to read EVERY novel, novella, novelette, and short story and watch every movie/TV episode eligible in a given year. And the more people who vote, the more different work can be given recognition. It’s a win/win for everyone when there are more works discussed so more people can discover new work they may not have otherwise. So this year I am getting over feeling like I don’t know enough to vote and voting.

For those not attending WorldCon, you can buy a supporting membership to LoneStarCon for $60. Time to sign up is running out, though—the deadline to register is January 31. After registering, the deadline for receiving nominations is March 10. To learn more about the nomination process, I’d recommend reading this article at Kirkus written by The Book Smugglers which discusses signing up. (It also discusses their own picks for awards and I was pretty blown away to see Fantasy Cafe listed for Best Fanzine!!!!)

Another great point Renay made is that you don’t have to vote for everything. There are certainly categories I can’t vote in, like the Best Short Story category (the one year I read a book of short stories I LOVE published that year it’s a collection of previously published stories). But I definitely have some categories I feel very strongly about, and there are books I’d love to see win Best Novel, book blogs I’d love to see win Best Fanzine, and both book bloggers and authors I’d love to see win Best Fan Writer. While it’s not a Hugo, this does include the opportunity to vote for the John W. Campbell Award for Best New Writer, which is another category I’m eager to vote on.

I’m not 100% sure what I’ll nominate yet, but here are some possibilities:

Best Novel

The Killing Moon by N. K. Jemisin

Range of Ghosts by Elizabeth Bear

The Tainted City by Courtney Schafer

The above novels are the three I read last year that I loved the most, other than one novel I read that was published before 2012 (Patricia A. McKillip’s The Forgotten Beasts of Eld, a World Fantasy Award winner). All three are very well-executed fantasy novels with thoughtful characterization and world-building.

Best Fanzine

SF Signal – They were last year’s winner with good reason. SF Signal has the most comprehensive coverage of SFF of any blog I can think of with reviews, their Mind Meld discussions with several participants, interviews, giveaways, news, and posts on upcoming books.

The Book Smugglers – They cover other genres in addition to SFF, but they cover a LOT of SFF with reviews almost daily. Their 2012 Smugglivus event in which authors and bloggers write about various topics was a treat, and I’d also be quite happy to see either Ana or Thea recognized with Best Fan Writer since I think they write some of the best reviews and articles in the blogosphere. They manage both quality and quantity on their blog, which I think is a HUGE accomplishment.

Calico Reaction – Shara is another blogger who does well with both quantity and quality, and I also think her thoughtful reviews are some of the best written. She writes lots of book reviews, discusses movies and TV shows, and runs a book club on her blog.

Best Fan Writer

This one is tough because there are both authors and bloggers I’d love to see make it to the final ballot. I’d be thrilled to see Ana, Thea, or Shara nominated for this, and there are also some authors I think have written some fantastic articles. My favorite of these is:

N. K. Jemisin – Her own blog is pretty awesome, but she’s also written some amazing articles for other blogs in 2012. One of my favorites is “Don’t Fear the Unicorn,” an amazing article she wrote about sexism and books for the Women in SF&F series that was here in April. (Trust me, just read it. It is AWESOME. It’s personal, thoughtful, and told with a sense of humor. I love this article SO MUCH.) I also enjoyed the article she wrote at The Book Smugglers in 2012, “The Unexotic Exotic.”

John W. Campbell Award for Best New Writer

Teresa Frohock – Her novel Miserere: An Autumn Tale really impressed me with its uniqueness and characterization.

Courtney Schafer – The Tainted City had the kind of complex, balanced world and characters that I love. And an intriguing magic system based on engineering!

Are you voting on the Hugo Awards this year? If so, what are you voting for? Does anyone have any recommendations for TV shows? I’m really picky about television and Game of Thrones is the only SFF TV show that I really loved last year.