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Today I’m excited to have a guest post from Moira J. Moore, author of the Heroes series! I have been having a great time reading the books in this series starting with Resenting the Hero. They are character-driven fantasy books centering on Lee, a young woman who has been trained to become a Shield, and Taro, the Source she has to work with (and isn’t at all happy to be paired with!). As a Shield, Lee protects Taro’s mind while he averts the natural disasters that plague their world.

One aspect of the series that I found particularly notable was that the society was gender equal – gender didn’t seem to be an issue at all when it came to lineage or societal roles. So I invited Moira J. Moore to write about how she approached gender equality in her series, and I was very happy when she agreed to write a guest post!

I’d like to thank Kristen for inviting me to participate in this fabulous event. She suggested I write about my portrayal of gender relationships in my Heroes series, and as that is a topic very near to my heart, I was ready to jump all over that.

To me, the best way to demonstrate gender equality is to describe a society where respect between the sexes is the baseline of proper behaviour. Recognizing the equality of others is not considered a remarkable trait any more than not murdering people is. It’s simply expected. There are jerks, of course, but why they treat people like trash has nothing to do with sex.

I decided to strive for a society similar to one I’d actually like to live in: Equal opportunities with no assumptions or restrictions according to sex. And the first step to that, I decided, was to describe a different version of what it is to be strong.

Prizing physical strength over everything else – and I think a lot of societies do –  automatically puts women at a disadvantage. There are exceptions, of course, but an average guy is going to be able to beat up an average girl, and a whole lot of other inequalities will be created because of that one fact. If we let them.

Either sex can be smart, can be disciplined, can show endurance. I think other excellent sources of strength include being able to recognize when one has made a mistake – and I know, Lee doesn’t always – apologize for it, never make the mistake again, and fix it!  The ability to recognize when others are good at something, and instead of getting immature about it and turning it into a competition, letting them do their jobs. Being able to take no for an answer. Recognizing that others know best what’s best for them. I could go on forever.

I’m generalizing, but I see in real life a lot of traits being treated as weaknesses when I think they are signs of strength, and it was those traits I wanted to make a priority in the world I was describing. These are strengths that either sex can exhibit, on an equal basis.

The following are the points I kept in mind as I wrote:

  1. Physical strength is not considered the most important asset to have, or a necessary stepping stone to everything else. Some jobs require physical strength, others don’t. In my world, people aren’t going to assume someone can’t be a good accountant just because that same someone, male or female, can’t also move a barrel full of wine. All that matters is that the person can do the job they were hired to do.
  2. A man isn’t considered weak or some kind of failure just because he doesn’t have a lot of physical might. Throughout the series, Taro never learns to fight. He would have been in some scraps at school, and he’s twisted his way through some tense situations, but if he got into a serious fistfight, he’d be toast. He knows this, and he doesn’t care, except when it’s inconvenient. Others assume this of him – he’s not tall, he’s slight, he’s not aggressive in his manner – and they don’t think any less of him.  He’s a Source and he’s good at it. Who cares if he can throw a punch?
  3. Men wouldn’t dream of using their physical strength against women, because they are raised not to.
  4. When I hear “firefighter,” I think “man.” When I hear “nurse,” I think “woman.” This isn’t good. When I’m writing and I need someone of a certain occupation, and I automatically think that the character is going to be male or female, I flip the sex over.
  5. There is no concept of being unladylike or unmanly. There’s no concept of a woman having the prerogative to be late or change her mind or a man having the right to be proud to the point of stupidity. There’s no concept of chivalry. Everyone is expected to be polite to everyone else regardless of sex.
  6. Aside from issues of consent and fidelity, there is no morality surrounding sex. People can have a lot of it, people can have none of it, no one cares, though gossip can be fun. Note: Shields and Sources aren’t supposed to sleep together, but that’s due to legitimate concerns about the impact such a development can have on an already intimate and emotional bond. It really does screw them up, though I fear I didn’t make that clear enough in the books. Lee and Taro are an exception.
  7. Marriage has nothing to do with morality. Most people don’t bother.
  8. Whether a child’s parents are married has nothing to do with morality.
  9. It isn’t assumed that mothers will be the primary caregivers. Both parents are responsible for caring for the children, unless one is horrible at it and needs to be kept away for the sake of the child.
  10. I think I managed to avoid ever writing “for a woman” or “for a man.” As in, “That’s an unusual job/characteristic for a woman.”

The best way to demonstrate gender equality is, of course, to have it reflected in the relationship of the two main characters, Lee and Taro. The first step was dealing with the jobs the two characters have. Lee is a Shield and Taro is a Source. The public think that Shields have a lesser role, not because the Shield is considered a feminine occupation – it’s not, there are male Shields – but because of their perception of what the two roles involve. Taro, as a Source, is the one in the spotlight, but he can’t do his job unless Lee does hers. He doesn’t think she’s in a subordinate position, and neither does she. His respect for her abilities are as great as her respect for his.

Lee is the calm one, Taro is the emotional one. No one thinks that’s weird.

While Taro has the wild reputation, I hope I made it clear that he isn’t Lee’s first sexual partner, and that there were no moral issues involved with that.

Taro isn’t embarrassed when Lee knows something he doesn’t, or when she can do something he can’t.

Lee doesn’t think a man shouldn’t be so fussy about his clothing. She just wishes Taro would leave her alone about her clothing.

Lee doesn’t expect Taro to protect her from physical attack aside from what he can do as a friend and a partner, and she jumps in to protect him just as often, even though she can’t fight, either.

They bicker, and they criticize each other, but they never go out of their way to hurt each other, and they never tell each other what to do.

Really, I could go on for ages about all the ways I tried to show that Lee and Taro have complete respect for each other, that neither thinks the other is lesser for any reason. The short story – at the end of all that explanation – is that I took a bunch of the things that drive me nuts about my own society, and tried to fix them. I hope I did a fair job.

Moira J. Moore has several short stories related to her Heroes series available on her blog. Click here to see the master list of stories with links to read them in full. Her website is located at moirajmoore.com. You can also visit her blog or follow her on Twitter.

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Today’s guest is Stina Leicht, one of this year’s finalists for the John W. Campbell Award for Best New Writer! Her first novel, Of Blood and Honey, was released last year. And Blue Skies from Pain, the second book of the Fey and the Fallen, just became available last month.

Although I plan to, I have to confess I haven’t yet read either of these books. I really wanted to invite some authors I hadn’t already talked about here this month, and I thought of Stina Leicht both because I’ve been hearing wonderful things about her books and I follow her on Twitter. Her books, which combine Ireland in the 1970s with the fey, sound very interesting, and I have seen nothing but rave reviews for them. Now that I’ve read what she has to say on blending major real-world events with fantasy, I’m even more excited to read them!

Stina Leicht

Vanishing the Elephant

Fantasy has an element of surrealism. The magic of the genre isn’t in its complete disconnection from reality but rather, its connection to it. Readers read in order to experience other lives — to travel to a different world, but they never leave the rules of reality behind. Audiences are more sophisticated than they once were. So it is that the more realistic that fantasy world, the more intense an experience is created. Powerful novels take my breath away. They make me care about the characters. They make me laugh *and* cry. It takes a great deal of skill as a writer to affect a reader’s emotions, but when it comes down to it… that’s the job. In addition, I adore the concept of the ordinary made extraordinary — that all the things we don’t believe in might just exist at the edges of our perception, if we squint hard enough. Details are vital. This is especially true when incorporating actual history into the story. The thing to remember is that readers will look up events referenced in fiction — even more so now than ever before, and that will make or break their experience of the story. This is even more the case when the novel is set in a time and place in which the reader lives or has lived. The balance becomes trickier when the events in question are associated with high emotions and conflict. Add in yet another layer of complication when telling a less mainstream aspect of events, and it’s an enormous challenge. However, I believe it’s well worth attempting. Addressing touchy subjects with story is one of Science Fiction and Fantasy’s best traditions. Sure, not all Sci-fi and Fantasy does this. (Some novels are intended to be fluffy and they do have their place.) However, I feel the main thing that sets Sci-fi and Fantasy apart from other genres is its capacity to make the reader think, in addition to SFF readers’ willingness (perhaps even eagerness) to contemplate complex subjects.

The more recent and emotionally charged the history, the more complicated the work is for the writer. History is edited and smoothed out over time. That has yet to happen with current events. For example, ask any police officer how many witnesses to a crime they prefer to have and they’ll tell you… one. Why? Studies have shown that human beings perceive events differently in subtle ways. So, if five witnesses step forward, there are five separate versions of what happened. Each and every version is valid. Remember we’re talking about personal events, not a distant, far-flung history. If lives have been lost, and generally they have been in this type of event, then the stakes are quite high. In many ways, the approach is connected to writing about Other. The same caution, attention to detail, patience, respect, and concern are required. If you ask me, the first step is in listening to those who have lived the events you’re writing about — really listening with an understanding that the witness to the event is the expert, not yourself. You’ll never know what it was like to live through what another human being has. You can only guess. So it is that without the ability to listen with an ego-less ear, a writer is doomed to fail.

Can you see how these sorts of stories have all the problems of non-fiction in addition to the problems of fiction? I tend to do a certain amount of research first and then look for the gaps that are left in the records. There are always small openings in history. Interestingly enough, some are quite broad. The more narrow the space, the more skill is required to weave in the fantastic. It’s a delicate process. It’s too easy to make the mistake of painting in broad strokes, but doing so will not only bust the illusion, it might inadvertently create a caricature and be harmful. It’s like a stage magician’s trick — only you’re using real history to distract the reader from the unreal elements. The trick is to make the elephant disappear without harming or killing it.

About Stina Leicht:
Stina Leicht is a 2012 Campbell Award nominee. Her debut novel Of Blood and Honey, a historical Fantasy with an Irish Crime edge set in 1970s Northern Ireland, was released by Night Shade books in February 2011 and was short-listed for the Crawford Award in 2012. The sequel, And Blue Skies from Pain is in bookstores on March 2012. She also has a flash fiction piece in Ann and Jeff VanderMeer’s surreal anthology Last Drink Bird Head.

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Of Blood and Honey by Stina Leicht And Blue Skies From Pain by Stina Leicht

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Today’s guest is Janice from Janicu’s Book Blog, one of my must-read sites! Janice mostly reads and reviews speculative fiction with a romantic element (although she also reads SFF without romance and romance without SFF). In a rare turn of events, I actually met Janice in person before I was familiar with her blog when we both attended the first Book Blogger Convention. She was reading The Hundred Thousand Kingdoms by N. K. Jemisin (a book I loved) and I was reading the third Kate Daniels book (a book she loved) so we had a lot to talk about and found we had a lot in common. Ever since then, I’ve been a big fan of her blog for her well-thought-out reviews, great enthusiasm for reading, and friendliness to those of us who stop by and comment. She’s a great person to talk about books with! You can also read her blog on Livejournal and follow her on Twitter.

Janice is sharing some of her favorite SFF books written by women today, mostly ones that are closer to the science fiction side of the genre. I now really want to read all of the authors she mentions that I haven’t read already!

Janicu's Book Blog header

Thank you for the invite to your Women in SF&F Month Kristen! I’m happy to be here. For this guest post I spent a lot of time thinking about why I read so many speculative fiction stories by women, and I couldn’t come up with one reason. Part of it is that I am a woman and I want to read books with female characters and support female authors, part of it is my love of character driven stories along with great world building, part of it has to do with my being a romantic and gravitating to stories that are about relationships. I don’t think these are things unique to women writers, but they’re not uncommon. Even then, I still don’t think I’ve really explained why I read books by women because each book I pick up involves a decision that has a countless number of factors including mood, taste, proximity, hype, recommendation, and page number. In the end, I just read a lot of speculative fiction books by female authors. Here are some of my favorites (these fall on the science fiction side of the spectrum, but aren’t necessarily limited to that genre):

Wen Spencer – How do I describe Wen Spencer? I think that her style of world building is the most out there of my favorites, which is one of the reasons I adore her books, but each of her series is very different from the next, and all defy categorization. I think you have to like weird.

Tinker Series

Her Tinker series features a girl genius in a futuristic Pittsburgh that moves between dimensions (one on Earth, one on Elfhome) and has a mix of sci-fi, fantasy (with nods to Japanese and Celtic folklore), and romance. It has a cross-genre appeal, but I feel like it is one of those books where it’s better when you are a fan of all the genres it nods at rather than one. Tinker and Wolf Who Rules The Wind are out now, Elfhome has a July, 2012 release date.

Her Ukiah Oregon series has a protagonist who is a private investigator that was literally raised by wolves and has no idea where he originally came from. The truth about who he is quite mind-boggling, but if you accept it, oh-so-great. I have read the first three books, and there is a fourth that I can’t make myself read because then it will be over. This series falls into the urban fantasy / X-Files category.

A Brother's Price

Spencer’s standalone A Brother’s Price is probably closest to romance of all her stories, but again, it’s turned on it’s head with a Wild West world where families are mostly female. Men are rare and prized — hidden from the world until they are married off to be shared by a group of sisters. If you can wrap your head around a world where the stereotype is that men are blushing, stay-at-home types, it is delightful. I would call this one a fantasy romance.

Endless Blue by Wen Spencer

Finally, there is Endless Blue, another standalone that is a space opera-ish story with a Japanese influence, with two adoptive brothers – one a clone, one a supersoldier. This was a complex, complex world, and it took me some time understand the rules of an inside-out world, where all manner of people “jumped” to it and were trapped. This is probably the most complicated of the books I’ve read by Spencer, but I wouldn’t call it hard science fiction either since there are a lot of fantastical elements.

Karin Lowachee – Karin Lowachee is an author I like because the voices of her protagonists are always so distinctive and so compelling.

Warchild series

For a while, she only had one science fiction trilogy out – this was the Warchild Universe – Warchild, Burndive, and Cagebird. Each of these books are told from the POV of a different character within the same world and around the same events, so you really could read each book as a standalone, if you really wanted to, but I would read them in order because there is a story arc that links all three. All the books are narrated by young men that are caught up in the same war and see it from a different perspective. Warchild blew me out of the water with how good it was – it’s a coming of age tale with heartbreak and shades of Ender’s Game. I was disappointed that Burndive features someone who was not Jos, but I was just as reeled in by Ryan’s story, even though he was a much more sheltered character than Jos. To be honest, I am still sitting on my copy of Cagebird (she doesn’t publish every year, so I’m hoarding), but just writing about this series here has me eager to do a reread so I can review these three properly on my blog. I also have to read The Gaslight Dogs, which is billed as “a Victorian era steampunk novel” and has a gorgeous cover.

Katie Waitman – Katie Waitman’s books are out of print but I believe you can find them used for a decent price online. Here’s the deal though – there are only two. I have read both The Divided and The Merro Tree, and they are very different from each other.

Katie Waitman books

I liked The Divided, which is a story of two groups at constant war with each other, but I LOVED The Merro Tree. The Merro Tree follows the life of Mikk, an abused young boy and his journey to becoming the galaxy’s greatest and most infamous performer. This is a compulsively readable story about young man overcoming a harsh upbringing and his own particular learning disabilities to become someone amazing. For that alone I love it, but you can also find messages about censorship and about same sex relationships here. Every year I will check google to find out if there is ever going to be anything new from Katie Waitman, and I’m always a bit heartbroken when I find nothing.

Linnea Sinclair – I feel like I must add Linnea Sinclair for something a little different here. This is an author that is well known for her space opera romance. She is my go-to comfort read author in the genre because her stories are reliably full of space battles and light science fiction, and they always end in a happily ever after. This is an author I would recommend to romance readers to introduce them to science fiction — a gateway author.

Sinclair standalone bookes

Her four standalones are An Accidental Goddess, Finders Keepers, The Down Home Zombie Blues, and Games of Command. These are probably the best place to dip your toes and try this author. My first Sinclair was Finders Keepers because of the cover that shows a woman meaning some serious business, but the newer covers have been repackaged to show the romance aspect more (kissing couples).

Sinclair Dock Five Universe

Her Dock Five Universe has four books. The first two, Gabriel’s Ghost, and Shades of Dark focus on the same couple and is a lot darker than the usual Sinclair. The next two, Hope’s Folly and Rebels and Lovers are further along in the same timeline and feature different couples. They aren’t as dark as the first two books, and further the overarching plot, but I feel like they can be read alone without problems.

Ann Aguirre – If Linnea Sinclair is a gateway author for romance readers, I think Ann Aguirre is the author to lure urban fantasy fans into science fiction/space opera.

Jax series

Ann Aguirre’s Sirantha Jax series focuses on Sirantha Jax – a Jumper (someone with a special J-gene that allows her to send a spaceship through a hyperspace jump), and her pilot March. Although the series does spend some time on their relationship, there is no guarantee that things are going to end well. They are very complex characters and the series never fails to throw Jax and her crew into desperate situations without easy answers. Early on Jax is someone with only her best interests at heart but she develops into a more heroic figure. March starts off as a Hero figure but loses some of himself in the course of the series. There is death, violence, and plenty of angst, but I am hooked. The relationship between Jax and her crew (all who have distinct personalities of their own), and the on-the-edge of your seat space drama keeps me reading until the wee hours of the morning. The last installment promises to come out this year, and I have been saving my copy of the second-to-last because I’ve heard it is a gut-wrencher. I am going to read it when the end is within spitting distance. The order of books is Grimspace, Wanderlust, Doubleblind, Killbox, Aftermath, and Endgame.

Ann Aguirre is a very prolific writer. In the past few years her backlog has grown quite a bit. There’s an urban fantasy series (Corine Solomon) that’s already 4 books long (with a fifth coming out 2013), and two pending series (another SFR trilogy set in the Jax universe – Dread Queen, and a steampunk duology). That doesn’t include her YA series, or her series under her pseudonyms of Ava Gray and Ellen Connor.

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Today I’m excited to have a post about the Raksura race, their society, and their gender roles from Martha Wells! I discovered The Cloud Roads, the first novel in the Books of the Raksura, last year due to an excellent review by The Book Smugglers. The Cloud Roads ended up being one of my favorite books I read last year for its sympathetic main character, creative worldbuilding, and absorbing storyline. I absolutely loved it, and I’m definitely planning to check out earlier books by Martha Wells (and of course, The Serpent Sea, the recently released sequel to The Cloud Roads).

Martha Wells

Kristen asked me to write about the Raksura, from my recent books The Cloud Roads and The Serpent Sea.

The Cloud Roads by Martha Wells The Serpent Sea by Martha Wells

Both books are fantasy adventures, set in a created world, where the main character Moon is an orphaned shapeshifter who has no idea what he is or where he comes from.  He’s been living among the many different species of his world, always hiding his true nature.  When he does find his own people, the Raksura, they’re in danger of being wiped out by the Fell, a predatory and parasitic species that seems unstoppable.

Moon was an outsider who was discovering his culture for the first time, and I wanted the reader to discover it along with him.  I wanted to make Indigo Cloud, the Raksuran court that Moon tries to join, to be as strange to the reader as it was to him.

Moon’s will to really belong somewhere, to have a safe place to live and to have friends and lovers who know who he really is, is at odds with a lifetime of distrust and fear, of having to lie constantly and to pretend to be someone else in order to survive.  He doesn’t know if he can trust his own people, and he doesn’t know if he’s even capable of trusting anyone anymore.  He faces the fact that he may never be able to fit in, that he may have been alone too long to really become one of them.

It doesn’t help that the court’s social structure is complex, with rules of behavior that seem completely strange to him.  Moon also finds that his role in the court will be far more complicated than he imagined. And he has to learn all this while trying to help Jade, the sister queen, and the other Raksura fight off the Fell and look for a way to move the court to a safer home.

The queens are the leaders of the Raksuran courts, and also the most physically powerful.  Female warriors are also bigger and stronger than male warriors.  And one of the things that Moon doesn’t know before he arrives is that he is a consort, one of the only fertile males of the royal Aeriat, and that his only possible role in a Raksuran court is to be a mate to a queen.

So if Moon wants to belong to the court of Indigo Cloud, it basically means an arranged marriage to Jade.  And Pearl, the ruling queen and her faction, don’t want him in the court at all. While he is still considered an outsider, Moon has no status and no protection; he may be forced to fight for a position in the court he isn’t even sure he wants.

Also, Raksuran consorts are meant to be seen and not heard; Moon’s role would be mainly symbolic and how much agency and influence he would have would depend a lot on his queen. Moon, who finds it so difficult to trust, will have to put himself physically and emotionally in Jade’s power.

With the gender role reversal in Raksuran culture, in some ways it was tricky to stay in the viewpoint of my non-human characters. I had to continually question my assumptions about physical abilities and sexual politics.  Also, though many of the roles in the court are determined by biology, Raksura are also cranky and stubborn individualists in many ways, and I wanted to leave room for that individuality.

The Arbora have the most latitude, since the castes of teacher, soldier, and hunter are individual choices, and the Arbora can switch from one to the other as their preferences change.  Since the Arbora need magic to be mentors, that was the only one of their castes where membership in it was determined by birth. I also felt that a culture that was not monogamous, where the queens and the female Arbora completely control their ability to conceive children, would be pretty free about sexuality and that that freedom would be reflected in other areas of the culture.

I’ve had a great time writing these books, and thanks to Kristen for letting me talk about them here!

About Martha Wells:
Martha Wells is the author of twelve SF/F novels, including The Element of Fire, City of Bones, Wheel of the Infinite, The Wizard Hunters, and the Nebula-nominated The Death of the Necromancer.  Her most recent novels are The Cloud Roads (March, 2011) and The Serpent Sea (January, 2012) published by Night Shade Books.  She has had short stories in Realms of Fantasy, Black Gate, Lone Star Stories, and the anthology Elemental, and essays in the nonfiction anthologies Farscape Forever and Mapping the World of Harry Potter. She also has two Stargate Atlantis media-tie-in novels Reliquary and Entanglement.  Her books have been published in seven languages, including French, Spanish, German, Russian, and Dutch.  Her web site is www.marthawells.com.

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The Element of Fire by Martha Wells Wheel of the Infinite by Martha Wells Death of the Necromancer by Martha Wells

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The second week of Women in SF&F Month posts will be starting tomorrow. In case you have missed the previous posts, this month is dedicated to highlighting women who are writing and reading/reviewing science fiction and fantasy after some recent discussion about review coverage for women and female bloggers. A wrap-up of week one and a book giveaway are here if you missed it.

Guests for the second week are:

Janice from Janicu’s Book Blog (also on Livejournal)
Jessica from Sci-Fi Fan Letter
Stina Leicht (Of Blood and Honey, And Blue Skies From Pain)
Lisa from Starmetal Oak Reviews
Moira J. Moore (Resenting the Hero, The Hero Strikes Back, Heroes Adrift, and the rest of the Lee and Taro series)
Martha Wells (The Books of the Raksura, The Death of the Necromancer, Wheel of the Infinite, The Element of Fire)

Also, congratulations to Stina Leicht, who is one of the nominees for the John W. Campbell Award for Best New Writer! The finalists for both this award and the Hugo Awards were just announced yesterday afternoon.

Later I’ll be announcing next week’s guests for Women of SF&F Month. I hope everyone has been enjoying the posts as much as I have!

I had trouble deciding whether or not to continue this feature this month, but I do like to give people a heads up about all the books that are out there in case they want to check them out for themselves since it could be a while before some of them get read and reviewed. So I am going to try to continue it, assuming I get books this month to talk about. Since Monday was my birthday, I do have birthday books to talk about this week! Birthday books that look really good, I might add. My husband knows how to pick the good ones!

Mirror Sword and Shadow Prince by Noriko OgiwaraMirror Sword and Shadow Prince written by Noriko Ogiwara, translated by Cathy Hirano, and illustrated by Miho Satake

This is the second of the Tales of the Magatama, a Japanese fantasy trilogy. I’m giving away the first one, Dragon Sword and Wind Child, this week!

The hardcover edition of this is a GORGEOUS book (my particular copy’s beauty is lessened slightly by the fact that I found a squished bug inside when I opened it, but I’m going to assume most copies don’t have insects squashed against the front inside cover). I’m really looking forward to it since I loved Dragon Sword and Wind Child (my review). Noriko Ogiwara wrote these books with the intent of having something similar to British/American fantasy books but with myths from the Kojiki as the foundation instead of the oft-used Celtic elements.

The third book has not been translated into English, but since this book just came out last year and is not yet available in paperback, I’m hoping the third one may yet be translated and released. If not, the first one did stand alone very well so I’m hoping this one does too.

When the heir to the empire comes to Mino, the lives of young Oguna and Toko change forever. Oguna is drafted to become a shadow prince, a double trained to take the place of the hunted royal. But soon Oguna is given the Mirror Sword, and his power to wield it threatens the entire nation. Only Toko can stop him, but to do so she needs to gather four magatama, beads with magical powers that can be strung together to form the Misumaru of Death. Toko’s journey is one of both adventure and self-discovery, and also brings her face to face with the tragic truth behind Oguna’s transformation. A story of two parallel quests, of a pure love tried by the power of fate, the second volume of Tales of the Magatama is as thrilling as Dragon Sword and Wind Child.

Myths of Origin by Catherynne M. ValenteMyths of Origin by Catherynne M. Valente

Catherynne M. Valente is one of those authors I just tend to collect books by as fast as I can because I adore her writing. It’s gorgeous, lyrical, and deep. Myths of Origin is a collection of four of her short novels that were written before a lot of the books she’s best known for. I absolutely love myths so I’m super excited about these, especially after seeing one of the stories is based on a myth from the Kojiki (like the book I discussed above).

The short novels included in this edition are The Labyrinth, Yume No Hon: The Book of Dreams, The Grass-Cutting Sword, and Under in the Mere.

Live the Myth! New York Times best-seller Catherynne M. Valente is the single most compelling voice to emerge in fantasy fiction in decades. Collected here for the first time, her early short novels explore, deconstruct, and ultimately explode the seminal myths of both East and West, casting them in ways you’ve never read before and may never read again.

The Labyrinth – a woman wanderer, a Maze like no other, a Monkey and a Minotaur and a world full of secrets leading down to the Center of it All.

Yume No Hon: The Book of Dreams – an aged woman named Ayako lives in medieval Japan, but dreams in mythical worlds that beggar the imagination . . . including our own modern world.

The Grass-Cutting Sword – when a hero challenges a great and evil serpent, who speaks for the snake? In this version of a myth from the ancient chronicle Kojiki, the serpent speaks for himself.

Under in the Mere – Arthur and Lancelot, Mordred and le Fay. The saga has been told a thousand times, but never in the poetic polyphony of this novella, a story far deeper than it is long.