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Today I’m excited to have a post about the Raksura race, their society, and their gender roles from Martha Wells! I discovered The Cloud Roads, the first novel in the Books of the Raksura, last year due to an excellent review by The Book Smugglers. The Cloud Roads ended up being one of my favorite books I read last year for its sympathetic main character, creative worldbuilding, and absorbing storyline. I absolutely loved it, and I’m definitely planning to check out earlier books by Martha Wells (and of course, The Serpent Sea, the recently released sequel to The Cloud Roads).

Martha Wells

Kristen asked me to write about the Raksura, from my recent books The Cloud Roads and The Serpent Sea.

The Cloud Roads by Martha Wells The Serpent Sea by Martha Wells

Both books are fantasy adventures, set in a created world, where the main character Moon is an orphaned shapeshifter who has no idea what he is or where he comes from.  He’s been living among the many different species of his world, always hiding his true nature.  When he does find his own people, the Raksura, they’re in danger of being wiped out by the Fell, a predatory and parasitic species that seems unstoppable.

Moon was an outsider who was discovering his culture for the first time, and I wanted the reader to discover it along with him.  I wanted to make Indigo Cloud, the Raksuran court that Moon tries to join, to be as strange to the reader as it was to him.

Moon’s will to really belong somewhere, to have a safe place to live and to have friends and lovers who know who he really is, is at odds with a lifetime of distrust and fear, of having to lie constantly and to pretend to be someone else in order to survive.  He doesn’t know if he can trust his own people, and he doesn’t know if he’s even capable of trusting anyone anymore.  He faces the fact that he may never be able to fit in, that he may have been alone too long to really become one of them.

It doesn’t help that the court’s social structure is complex, with rules of behavior that seem completely strange to him.  Moon also finds that his role in the court will be far more complicated than he imagined. And he has to learn all this while trying to help Jade, the sister queen, and the other Raksura fight off the Fell and look for a way to move the court to a safer home.

The queens are the leaders of the Raksuran courts, and also the most physically powerful.  Female warriors are also bigger and stronger than male warriors.  And one of the things that Moon doesn’t know before he arrives is that he is a consort, one of the only fertile males of the royal Aeriat, and that his only possible role in a Raksuran court is to be a mate to a queen.

So if Moon wants to belong to the court of Indigo Cloud, it basically means an arranged marriage to Jade.  And Pearl, the ruling queen and her faction, don’t want him in the court at all. While he is still considered an outsider, Moon has no status and no protection; he may be forced to fight for a position in the court he isn’t even sure he wants.

Also, Raksuran consorts are meant to be seen and not heard; Moon’s role would be mainly symbolic and how much agency and influence he would have would depend a lot on his queen. Moon, who finds it so difficult to trust, will have to put himself physically and emotionally in Jade’s power.

With the gender role reversal in Raksuran culture, in some ways it was tricky to stay in the viewpoint of my non-human characters. I had to continually question my assumptions about physical abilities and sexual politics.  Also, though many of the roles in the court are determined by biology, Raksura are also cranky and stubborn individualists in many ways, and I wanted to leave room for that individuality.

The Arbora have the most latitude, since the castes of teacher, soldier, and hunter are individual choices, and the Arbora can switch from one to the other as their preferences change.  Since the Arbora need magic to be mentors, that was the only one of their castes where membership in it was determined by birth. I also felt that a culture that was not monogamous, where the queens and the female Arbora completely control their ability to conceive children, would be pretty free about sexuality and that that freedom would be reflected in other areas of the culture.

I’ve had a great time writing these books, and thanks to Kristen for letting me talk about them here!

About Martha Wells:
Martha Wells is the author of twelve SF/F novels, including The Element of Fire, City of Bones, Wheel of the Infinite, The Wizard Hunters, and the Nebula-nominated The Death of the Necromancer.  Her most recent novels are The Cloud Roads (March, 2011) and The Serpent Sea (January, 2012) published by Night Shade Books.  She has had short stories in Realms of Fantasy, Black Gate, Lone Star Stories, and the anthology Elemental, and essays in the nonfiction anthologies Farscape Forever and Mapping the World of Harry Potter. She also has two Stargate Atlantis media-tie-in novels Reliquary and Entanglement.  Her books have been published in seven languages, including French, Spanish, German, Russian, and Dutch.  Her web site is www.marthawells.com.

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The Element of Fire by Martha Wells Wheel of the Infinite by Martha Wells Death of the Necromancer by Martha Wells

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The second week of Women in SF&F Month posts will be starting tomorrow. In case you have missed the previous posts, this month is dedicated to highlighting women who are writing and reading/reviewing science fiction and fantasy after some recent discussion about review coverage for women and female bloggers. A wrap-up of week one and a book giveaway are here if you missed it.

Guests for the second week are:

Janice from Janicu’s Book Blog (also on Livejournal)
Jessica from Sci-Fi Fan Letter
Stina Leicht (Of Blood and Honey, And Blue Skies From Pain)
Lisa from Starmetal Oak Reviews
Moira J. Moore (Resenting the Hero, The Hero Strikes Back, Heroes Adrift, and the rest of the Lee and Taro series)
Martha Wells (The Books of the Raksura, The Death of the Necromancer, Wheel of the Infinite, The Element of Fire)

Also, congratulations to Stina Leicht, who is one of the nominees for the John W. Campbell Award for Best New Writer! The finalists for both this award and the Hugo Awards were just announced yesterday afternoon.

Later I’ll be announcing next week’s guests for Women of SF&F Month. I hope everyone has been enjoying the posts as much as I have!

I had trouble deciding whether or not to continue this feature this month, but I do like to give people a heads up about all the books that are out there in case they want to check them out for themselves since it could be a while before some of them get read and reviewed. So I am going to try to continue it, assuming I get books this month to talk about. Since Monday was my birthday, I do have birthday books to talk about this week! Birthday books that look really good, I might add. My husband knows how to pick the good ones!

Mirror Sword and Shadow Prince by Noriko OgiwaraMirror Sword and Shadow Prince written by Noriko Ogiwara, translated by Cathy Hirano, and illustrated by Miho Satake

This is the second of the Tales of the Magatama, a Japanese fantasy trilogy. I’m giving away the first one, Dragon Sword and Wind Child, this week!

The hardcover edition of this is a GORGEOUS book (my particular copy’s beauty is lessened slightly by the fact that I found a squished bug inside when I opened it, but I’m going to assume most copies don’t have insects squashed against the front inside cover). I’m really looking forward to it since I loved Dragon Sword and Wind Child (my review). Noriko Ogiwara wrote these books with the intent of having something similar to British/American fantasy books but with myths from the Kojiki as the foundation instead of the oft-used Celtic elements.

The third book has not been translated into English, but since this book just came out last year and is not yet available in paperback, I’m hoping the third one may yet be translated and released. If not, the first one did stand alone very well so I’m hoping this one does too.

When the heir to the empire comes to Mino, the lives of young Oguna and Toko change forever. Oguna is drafted to become a shadow prince, a double trained to take the place of the hunted royal. But soon Oguna is given the Mirror Sword, and his power to wield it threatens the entire nation. Only Toko can stop him, but to do so she needs to gather four magatama, beads with magical powers that can be strung together to form the Misumaru of Death. Toko’s journey is one of both adventure and self-discovery, and also brings her face to face with the tragic truth behind Oguna’s transformation. A story of two parallel quests, of a pure love tried by the power of fate, the second volume of Tales of the Magatama is as thrilling as Dragon Sword and Wind Child.

Myths of Origin by Catherynne M. ValenteMyths of Origin by Catherynne M. Valente

Catherynne M. Valente is one of those authors I just tend to collect books by as fast as I can because I adore her writing. It’s gorgeous, lyrical, and deep. Myths of Origin is a collection of four of her short novels that were written before a lot of the books she’s best known for. I absolutely love myths so I’m super excited about these, especially after seeing one of the stories is based on a myth from the Kojiki (like the book I discussed above).

The short novels included in this edition are The Labyrinth, Yume No Hon: The Book of Dreams, The Grass-Cutting Sword, and Under in the Mere.

Live the Myth! New York Times best-seller Catherynne M. Valente is the single most compelling voice to emerge in fantasy fiction in decades. Collected here for the first time, her early short novels explore, deconstruct, and ultimately explode the seminal myths of both East and West, casting them in ways you’ve never read before and may never read again.

The Labyrinth – a woman wanderer, a Maze like no other, a Monkey and a Minotaur and a world full of secrets leading down to the Center of it All.

Yume No Hon: The Book of Dreams – an aged woman named Ayako lives in medieval Japan, but dreams in mythical worlds that beggar the imagination . . . including our own modern world.

The Grass-Cutting Sword – when a hero challenges a great and evil serpent, who speaks for the snake? In this version of a myth from the ancient chronicle Kojiki, the serpent speaks for himself.

Under in the Mere – Arthur and Lancelot, Mordred and le Fay. The saga has been told a thousand times, but never in the poetic polyphony of this novella, a story far deeper than it is long.

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It’s been a fantastic first week for Women in SF&F Month! Today I just want to round up some related links (including a new one on books reviewed/received by gender) and give away a book.

Week In Review

This week brought some wonderful posts from various guests. Here’s what happened this week in case you missed any posts:

Thanks to all of these week’s guests, who have gotten the month off to a great start!

There were a few links I saw this week that are related to the issue of gender and SFF. I wanted to share some of them because I think they’re worth reading and important to the topic.

This week Strange Horizons posted a breakdown of books and reviews by gender for several venues, including Locus and Asimov’s. They also used Locus as a general guideline for books received for review by gender. They discovered they received a fairly equal number of books by men and women from US publishers (47% by women and 53% by men). Only about a third of the books received from the UK were written by women, though. There were some caveats in place, such as the fact that they counted all individual books received and sometimes they had to assume the gender of the writer, but these are some rather interesting results. (I found this on Cheryl’s Mewsings.)

Catherynne M. Valente wrote about the recent brouhaha over Christopher Priest ripping apart the Clarke Award nominees and how different it would have been had a woman written the same post.

 

It’s that if a woman wrote it, she’d have been torn to pieces. No quarter, no mercy.

Seanan McGuire briefly talked about her experience with the type of situations Catherynne Valente was discussing in the above post and then went on to talk about a sign she saw at Emerald City that said, “Finally, a book for BOYS that the GIRLS will enjoy reading, too!” She concludes with:

 

Let’s all just read the books we want to read, regardless of covers or the gender of the main characters, okay? Because otherwise, we’re missing out on a lot of really great stories. And that would be a shame.

Yes, this! I am so tired of seeing references to “books for women” or “books for men.” Can’t we just have books for people who like to read instead of trying to tell each gender what types of books should appeal to them? I’ve had people tell me about books they want me to review and describe them this way and it makes me want to bang my head against my keyboard.

Giveaway

Today I am giving away one copy of Dragon Sword and Wind Child, a fantasy book written by Noriko Ogiwara and translated by Cathy Hirano. I very much enjoyed this book, as I said in my review of Dragon Sword and Wind Child earlier this year.

Dragon Sword and Wind Child, the first book in the Tales of the Magatama trilogy, was originally published in Japan in 1988. Noriko Ogiwara won the New Writer’s Award from the Japanese Association of Children’s Writers for this book, which was her first. This one and the second book in the trilogy, Mirror Sword and Shadow Prince, have been translated into English. I’m not sure if the third one will be or not, but don’t worry – Dragon Sword and Wind Child stands well on its own and the author actually never planned to write a sequel, according to the afterword from the second book.

The story behind this book and how it was received is quite interesting. In the afterword for the first book, Noriko Ogiwara explains that it is a sort of melding of Western and Japanese literature. She very much enjoyed both Japanese literature and Western fantasy books so she used the Kojiki as the basis for the mythology in her story the way a lot of British and American fantasy authors do with Celtic mythology. She also notes that fantasy was not really respected in Japan at the time she wrote this, and she expected her work to receive the same treatment. However, as mentioned on her bio, Dragon Sword and Wind Child is considered the ‘first truly “Japanese” fantasy’ and is ‘a young adult classic in Japan.’

About Dragon Sword and Wind Child:

Dragon Sword and Wind Child by Noriko Ogiwara

The God of Light and the Goddess of Darkness have waged a ruthless war across the land of Toyoashihara for generations. But for fifteen-year-old Saya, the war is far away—until the day she discovers that she is the reincarnation of the Water Maiden and a princess of the Children of the Dark.

Raised to love the Light and detest the Dark, Saya must come to terms with her heritage even as the Light and Dark both seek to claim her, for she is the only mortal who an awaken the legendary Dragon Sword, the weapon destined to bring an end to he war. Can Saya make the choice between the Light and Dark, or is she doomed—like all the Water Maidens who came before her…?

Read an Excerpt from Dragon Sword and Wind Child

Giveaway Rules: To be entered in the giveaway, fill out the form below. One entry per person and a winner will be randomly selected. This giveaway is open internationally, but to be eligible to win, you must live in a country that qualifies for free shipping from The Book Depository. The giveaway will be open until the end of the day on Saturday, April 14. The winner has 24 hours to respond once contacted via email, and if I don’t hear from them by then a new winner will be chosen (who will also have 24 hours to respond until someone gets back to me with a place to send the book).

Please note email addresses will only be used for the purpose of contacting the winner. Once the giveaway is over all the emails will be deleted.

Good luck!

[contact-form-7 id=”2340″ title=”Dragon Sword and Wind Child Entry Form”]

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Today I’m thrilled to have a wonderful message on how we can support women writing science fiction from the fantastic Elizabeth Bear! She is extremely prolific and has written a lot of books that fall under various categories of both science fiction and fantasy. I’ve enjoyed every single one I’ve read, and her Edda of Burdens trilogy is among my favorite series for its beautiful writing and handling of myths. Since I love Elizabeth Bear’s books so much that I keep seeking them out and reading them, she has the distinction of being the author whose books I’ve reviewed the most on this site. Range of Ghosts, her most recent novel and the first book in the Eternal Sky trilogy, will be my tenth by her when I find time to finish it (it’s wonderful, this month’s event has just been keeping me too busy to fit in much time for reading!).

Elizabeth Bear

I’ve got to assume that you’re here reading this because you care about science fiction, and you care about science fiction by women. And you may be wondering, “But what can I do to support female SF writers?”

The thing that boggles me most about the invisibility of women writing science fiction in so many panel and online discussions is the sheer number of us doing it–and receiving some high-level critical acclaim for doing it well! Just in the past few years, women SF writers who have been major genre award nominees include Mira Grant, Jean Johnson, Maureen F. McHugh, Sara Creasy, Rebecca Ore, C.L. Anderson, Nancy Kress, Kij Johnson, Nnedi Okorafor, Connie Willis, Lois McMaster Bujold–

–the problem is not that women are not writing science fiction, or that science fiction by women is not being published. It’s that a certain segment of fandom doesn’t pay enough attention to notice.

As you might imagine, I find this intensely frustrating. It’s as if one or two women in each generation of writers are anointed to become token representatives of our gender in the general critical discourse, and the rest–somehow never get talked about very much.

The good news is, this is easy to fix. And the power lies with fandom! And especially male fandom, because–sadly–too often the sort of male readers who don’t already make a point of reading widely and diversely also don’t read a lot of critical blogs and fan sites by women, or possibly ask their female friends for book recommendations.

So the answer to the question, “What can I do to support women SF writers?” is easy. Buy their books. Read them.

Talk about them. In public, on panels, on Goodreads, to friends. In convention bars. In internet forums. On blogs. Talk about the ones you love and the ones you hate. Be honest and incisive.

It’s not so hard.

About Elizabeth Bear:
Elizabeth Bear was born on the same day as Frodo and Bilbo Baggins, but in a different year. She is the Hugo and Sturgeon Award-winning author of over a dozen novels and nearly a hundred short stories. She lives in Massachusetts with a Giant Ridiculous Dog, but may frequently be found in Wisconsin keeping company with her partner, fantasist Scott Lynch.

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Range of Ghosts by Elizabeth Bear Hammered by Elizabeth Bear Carnival by Elizabeth Bear

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Today’s guest is Kristin, who runs the wonderful blog My Bookish Ways! Kristin has an extraordinary amount of reviews, interviews, and giveaways of all kinds of different books, and I simultaneously envy and admire her sheer volume and quality of content (especially her awesome interview with Seanan McGuire). She covers books from a wide variety of genres, including urban fantasy, horror, science fiction, fantasy, suspense, and historical fiction. Right now she has a giveaway for a copy of the new YA fantasy Fair Coin by EC Myers along with a great interview with the author that I recommend checking out. You can also follow her on Twitter as mybookishways.

Please give a warm welcome to Kristin as she shares some of her favorite female authors of fantasy and science fiction!

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The lovely Kristen of Fantasy Café suggested I make a list of some of my favorite female fantasy/sci-fi authors and tell you a little bit of why I love them. This was not an easy thing to do. I tried to stick to mostly sci-fi (with a couple of exceptions), and I found it to be an absolutely heroic effort to keep it to a Top 5. So, here’s my list, and even though it says “Top 5”, it’s by no means all-inclusive, because there are so many talented ladies out there writing in these genres, and I encourage you to seek them out!

Here they are, in no particular order:

Elizabeth Bear: The wonderful Ms. Bear is a writing powerhouse, and she’s written books that fall under speculative fiction, fantasy, and sci-fi (like I said, powerhouse), but my favorite series by her is probably her Jenny Casey trilogy (Hammered, Scardown, and Worldwired). Jenny is the ultimate badass sci-fi chick, and I keep hoping for more in this series. Ms. Bear’s newest book, Range of Ghosts, just came out, so be sure to give that one a look as well!

Marianne de Pierres: I love Ms. De Pierres’  Parrish Plessis series (Nylon Angel, Code Noir, Crash Deluxe.) This series is a fast-paced, sci-fi, cyberpunk extravaganza and it’s not to be missed! I recently interviewed Marianne, so if you’d like more proof of her awesome, click here!

Jaye Wells: I’ve been following Jaye’s career since Red-Headed Stepchild, the first book in her superb Sabina Kane series.  Not only does the series kick some serious butt (the 5th and final book, Blue-Blooded Vamp, is out in June), but Jaye is a local author to me, and she’s always been gracious and sweet whenever I stalk the poor woman at signing events. If you haven’t discovered Jaye Wells, now’s the time!

Lucy A. Snyder:  Ms. Snyder is the author of one of my favorite series, the Spellbent series featuring Jessie Shimmer. I suppose, technically, that these books place in the urban fantasy category, but they’re not your typical UF fare. Lucy has a knack for horror, and the Spellbent series is woven through with classic horror elements. Jessie Shimmer and her friends are a ton of fun, and the world that the author has created in these books is rich and engaging (and sometimes chilling), so what are you waiting for?

Ann Aguirre: Ms. Aguirre’s Sirantha Jax series (Grimspace, Wanderlust, Doubleblind, Killbox, and Aftermath) is the cream of the crop, and it’s what opened me up to reading more science fiction, period. Rich worlds, fascinating characters, alien races, the coldness of space, and heartbreaking romance are at your fingertips with this series, and even if you think you’re not a sci-fi reader, check out this series and tell me what you think. You’ll be calling yourself a sci-fi fan in no time.