This week brought two review copies and one ARC. One of these books is one I cannot wait to read, but I’m not so sure the other two are really the books for me. As usual, I’ll mention them anyway just in case they are books you are interested in and want to check out!

Saints Astray by Jacqueline CareySaints Astray by Jacqueline Carey

This is the sequel to Santa Olivia, which I rather enjoyed (review). Jacqueline Carey is an immensely talented author and I was quite amazed by just how different Santa Olivia was from Kushiel’s Dart and the Naamah series. I am really excited about reading this one and am planning to start it just as soon as I finish the book I’m reading now.

Saints Astray has a release date of November 22. The first chapter is available to read online.

Fellow orphans, amateur vigilantes, and members of the Santitos, Loup Garron-the fugitive daughter of a genetically engineered “wolf man”-and Pilar Ecchevarria grew up in the military zone of Outpost 12, formerly known as Santa Olivia. But now they’re free, and they want to help the rest of the Santitos escape. During a series of escapades, they discover that Miguel, Loup’s former sparring partner and reprobate surrogate brother, has escaped from Outpost 12 and is testifying on behalf of its forgotten citizens-at least until he disappears from protective custody. Honor drives Loup to rescue Miguel, even though entering the U.S could mean losing her liberty. Pilar vows to help her.

It will take a daring and absurd caper to extricate Miguel from the mess he’s created but Loup is prepared to risk everything… and this time she has help.

Darkness Falls by Cate TiernanDarkness Falls by Cate Tiernan

This is the second book in a young adult series, the Immortal Beloved trilogy, and it follows Immortal Beloved. It will be released in January 2012.

Nastasya has lived for hundreds of years, but for some reason, life never seems to get any better. She left her spoiled, rich girl life to find peace at River’s Edge, a safe haven for wayward immortals. There, she learned to embrace River’s Edge, despite som drama involving the sexy Reyn, who she wants but won’t allow herself to have. But just as she’s getting comfortable, her family’s ties to dark magick force her to leave.

She falls back into her old, hard partying ways, but will her decision lead her into the hands of a dark immortal? Or will it be her first step to embracing the darkness within her?

Immortal Rider by Larissa IoneImmortal Rider by Larissa Ione

This is the second book in the Lords of Deliverance series, following Eternal Rider. It’s spinoff series continuing after Demonica, another paranormal romance series by New York Times bestselling author Larissa Ione. Immortal Rider will be on sale on November 22. An excerpt is available to read online.

The signs are everywhere…disastrous world events. Evil rising up, unleashed upon the innocent. The prophecies were there…but no one listened. Until now. The time has come for those who can either usher in Doomsday…or prevent it. They are here. They ride. The Four Horsemen of the Apocalypse.

Arik Wagner, a soldier with the U.S. Army’s paranormal unit, the R-XR, kissed a girl and liked it. And then he went to hell as punishment. Where he’s spent weeks being tortured…and plotting revenge.

Limos, Horsewoman of the Apocalypse, isn’t your average girl. She’s immortal, dangerous, and her fiancé is Satan himself. In a moment of weakness, she gave in to her desire and kissed Arik, triggering her fiancé’s wrath – and his claim on her. In order to save Arik, and the world, Limos must make a dangerous pact with her recently turned evil brother, Pestilence. A deal that might just cost her her soul…and her heart.

 

The Kingdom of Gods is the third book in the Inheritance trilogy by N. K. Jemisin. The first book, The Hundred Thousand Kingdoms, was nominated for the Hugo, the Nebula, and the World Fantasy awards. In my opinion, the next book The Broken Kingdoms was even a little stronger. The Kingdom of Gods was one of my most anticipated books of 2011 given that I loved the first two novels in the series and N. K. Jemisin is one of my new must-read authors because of that.

While each of the books in this series does have a different main character and stands alone to an extent, the events of each book do influence the next one. There will be spoilers for the previous two books in this series in this review.

The Kingdom of Gods takes place approximately 100 years after the end of the previous novel and is told from the perspective of Sieh, the god of childhood and the oldest of the godlings. Sieh is still unable to forgive Itempas and feels betrayed when he spies on Yeine with Itempas and realizes she has forgiven him. Once he cannot stand watching them anymore, Sieh flees to Sky where he meets two six-year-old Arameri twins, Shahar and Dekarta. The young boy and girl are oblivious to what Sieh is, but when he returns a year later to meet with them, they have figured out that he is the trickster god. However, this does not stop Shahar from treating Sieh with disrespect and angering him – nearly costing the life of either herself or her brother.

Instead of killing one of the children, Sieh impulsively changes his mind and the twins remind him that he promised them one wish. Since they are not sure what they want to wish for, Sieh agrees to meet them again in one year. One year later they wish for his friendship, which also angers him until he realizes they have no selfish motives for wanting the friendship of a god. Children cannot lie to Sieh, and they really just are two lonely kids who desire his friendship. The three swear an oath bound by blood, but something goes horribly wrong. Eight years later, Sieh awakens to find he’s grown into an adolescent and is mortal. Even worse, neither Yeine nor Nahadoth know what happened or how to reverse the changes in Sieh, and both Sieh and Nahadoth are too stubborn to seek the help of Itempas, the one god who may be able to help.

While I did enjoy reading The Kingdom of Gods, it didn’t impress me as much as the first two books. There are some things it does very well, and in some ways I appreciate it more than the first two because I do think it’s the most ambitious book of the three. After all, it’s told from the point of view of a godling, it ties together and builds on the previous books, it’s the longest and most sprawling in the series, and it involves many of the gods. With this, it also provides a better understanding of the various gods, their natures, and their history. It has a larger scope than the first two books, and in having so much more in the book, I thought it didn’t quite succeed in living up to the main strengths of the first two books – a focused storyline told from an intensely personal and riveting perspective.

At the beginning, I was very drawn in by Sieh’s voice as he reminisces about Yeine. His deep loneliness was heartbreaking, as was his knowledge that he was not one of the three and never could be. The opening paragraphs in the first chapter, which showed Sieh’s awareness of his audience as he poked some fun at the first two books and the reader’s perception of time was delightful:

 

There will be no tricks in this tale. I tell you this so that you can relax. You’ll listen more closely if you aren’t flinching every other instant, waiting for the pratfall. You will not reach the end and suddenly learn I have been talking to my other soul or making a lullaby of my life for someone’s unborn brat. I find such things disingenuous, so I will simply tell my tale as I lived it.

But wait, that’s not a real beginning. Time is an irritation, but it provides structure. Should I tell this in the mortal fashion? All right, then, linear. Slooooow. You require context. [pp. 5]

As in the first two books in the series, N. K. Jemisin employs a casual, conversational tone where it seems like the narrator really is talking to you personally. I love this style, and I love how it sets up Sieh’s personality instantly in this book. Right away, he doesn’t quite seem trustworthy and he seems to look down on us mere mortals, too. He’s not quite omniscient, though, as some of the plot deals with Sieh’s inability to remember a past event and there’s a lot of mystery between that and Sieh’s inexplicable loss of immortality.

Although I was drawn in very early, it didn’t maintain that level of interest soon afterward. Mostly, that’s because it took a while to get to the heart of the main conflict, and I just wasn’t invested in the characters enough to be compelled by the more personal story. Once the plot started to reveal it was more than just Sieh’s problem of mortality and his relationship with the Arameri twins, it got a lot better. However, I did find my interest waning at times before it got to the bigger picture, which isn’t something that happened with the first two books. Later parts were stronger, though, and it did have a very memorable, emotional ending that partially made up for some of the wandering earlier, especially since it did all come around full circle into a satisfying, fitting conclusion that worked well with the beginning. (That said, the end was abrupt and over rather quickly – but it had that personal, emotional punch I wanted and expected  from a book in this series.)

The main reason my interest waned for a bit was Sieh himself and the time spent with Shahar and the other Arameri. I’m a bit conflicted about Sieh as a character. He’s an interesting character to read about, but I also felt like he encompassed too much to the point where he seemed inconsistent. Perhaps it’s just because he’s the only one of the godlings who gets a perspective or because he’s the most ancient, but he didn’t seem as definable as the original three or any of the other godlings we meet. Nahadoth is chaos, Yeine is balance, and Itempas is stability. Sieh is called the trickster, the prankster, the child god. He embodies the qualities of childhood – a flair for mischief and impulsiveness. He’s also shown to occasionally be a trickster who schemes behind the scenes, but I had trouble seeing him that way once I was inside his head. Sieh is not prone to subtlety and most of the tricks we see him do are more childish pranks, like changing the runes for warmth on a toilet seat to cold. I have some trouble reconciling this personality with a trickster, someone I think of as being more subtle with bigger schemes, particularly considering this book’s emphasis on the nature of the gods and how they must be true to these natures.

In particular, Sieh’s scenes with Shahar also didn’t entirely work for me. There were some events that took place later in that story that proved important, but I just never really understood why Sieh cared at all for Shahar. He’s a god, albeit a lonely one who can sympathize with her own loneliness, but it seemed odd to me that he’d become so attached to her. She pissed him off and she’s an Arameri, a group of people he hates on principle as they enslaved him. Furthermore, she just didn’t seem particularly extraordinary in spite of her status as heir. On the other hand, I could completely see why he’d care about Deka, who was endearing. Deka actually did seem special – a dreamer who was very obviously intelligent and had some unique qualities and had a lot of chemistry with Sieh. In fact, Deka was my favorite character in the book aside from some of the gods.

Speaking of which, the various gods were the best part of the book. Through Sieh’s eyes, we learn a lot more about their history and how their natures work. Once more of the gods got involved, it added a lot to the story. Yeine and Itempas, much to my surprise, were my favorites. Yes, the same Itempas who was despicable in the beginning, but who changed in the second book – the same god who is the opposite of change, but who does so very slowly – is one of my favorite characters in the series now. At the end of the book is a very powerful scene, and the brief memory of Itempas’s reaction is the part that was most affecting.

In spite of being my least favorite book in this trilogy, The Kingdom of Gods had enough strengths that I’m certainly glad I read it. It faltered at times with some slower parts and I did have some problems with Sieh’s character. Yet the writing, world, the theme of change, and the other characters were all very well done. It also had a memorable conclusion that worked very nicely with the book’s opening, and the note it ended on tied in wonderfully with the beginning.

My Rating: 7/10

Where I got my reading copy: Review copy from the publisher.

Read Excerpts:

N. K. Jemisin also wrote an interesting character study of Sieh, but there are some spoilers for The Kingdom of Gods in it:

Reviews of other books in this series:

This week brought 2 review copies, although I’ve already covered one of them since this is a finished copy of a book I have received as an ARC. If you are interesting in learning more about Theft of Swords by Michael J. Sullivan, I’ll direct you to this post on books snagged at this year’s BEA. I started it this week and should be reviewing it pretty soon, though! I’m 100 pages in now and am having a lot of fun with it so far.

And the other book is…

The Whitefire Crossing by Courtney SchaferThe Whitefire Crossing by Courtney Schafer

This is a fantasy debut novel and the first book in a new series, The Shattered Sigil. I’ve been hearing great things about this book since it came out this year and it has been on my wish list for a while. So when a publicist contacted me about reviewing it, I couldn’t resist that opportunity. It’s about a smuggler and it just sounds like so much fun. Plus I haven’t read nearly enough debuts this year (I’m considering dedicating next month to fantasy debut novels for that reason – I still haven’t read Indigo Eyes by Fel Kian or Low Town by Daniel Polansky or Miserere by Teresa Frohock, all of which look great!).

An excerpt from The Whitefire Crossing is available online. The second book in the Shattered Sigil series, The Tainted City, will be released in 2012.

Dev is a smuggler with the perfect cover.  He’s in high demand as a guide for the caravans that carry legitimate goods from the city of Ninavel into the country of Alathia. The route through the Whitefire Mountains is treacherous, and Dev is one of the few climbers who knows how to cross them safely. With his skill and connections, it’s easy enough to slip contraband charms from Ninavel – where any magic is fair game, no matter how dark – into Alathia, where most magic is outlawed.

But smuggling a few charms is one thing; smuggling a person through the warded Alathian border is near suicidal.  Having made a promise to a dying friend, Dev is forced to take on a singularly dangerous cargo: Kiran. A young apprentice on the run from one of the most powerful mages in Ninavel, Kiran is desperate enough to pay a fortune to sneak into a country where discovery means certain execution – and he’ll do whatever it takes to prevent Dev from finding out the terrible truth behind his getaway.

Yet Kiran isn’t the only one harboring a deadly secret. Caught up in a web of subterfuge and dark magic, Dev and Kiran must find a way to trust each other – or face not only their own destruction, but that of the entire city of Ninavel.

Fox & Phoenix is the first book in Lóng City, a new YA fantasy series by Beth Bernobich. It was published earlier this month (hardcover, ebook, audio book) and follows the events of the short story “Pig, Crane, Fox.” This story was originally published in the anthology Magic in the Mirrorstone and can be read for free on Smashwords. As there are spoilers for this story in the book, there will also be spoilers for it in this review. I do recommend reading the story before the book since I think knowing what happened before helps set up the novel.

Once upon a time, Kai won a contest thrown by the king by granting three impossible wishes. The prize was a lot of money and marriage to the princess Lian, who it turned out wanted to go study politics at the university instead of getting married. For the third impossible wish that made him the winner, Kai got the princess her heart’s desire. He and the friends who helped him got the monetary reward and the friendship of the princess. They should have lived happily ever after.

Instead, nothing has turned out as Kai expected. He didn’t get the girl he liked, Yún, who had been second in command in his street gang and aided him on his quest. In fact, even though they’re both now studying magic as apprentices to Kai’s mother, they’ve become further apart and hardly talk anymore. Plus Kai finds being an apprentice is dreadfully dull.

Then Kai’s mother disappears without a trace. When Kai becomes concerned and goes looking for her, he is visited by the king of the ghost dragons. The whole city has heard that the king is sick, but the dragon tells Kai he is dying and that the Princess Lian must come home. Since Kai is her friend, the ghost dragon is counting on him to travel to Phoenix City and retrieve her. Kai is confounded by this request, but he’s not foolish enough to argue with any sort of dragon, especially a king, so he sets out to bring Lian back to Lóng City.

In “Pig, Crane, Fox” a very traditional sort of fairy tale is given a few key differences. The quest Kai undertakes is very conventional: the three impossible tasks that must be completed in order to win a fortune and the hand of the princess. Yet Kai doesn’t achieve these tasks through superhuman cleverness and individual achievement. It’s a team effort and it takes help from his friends for him to attain his goals – in particular, he couldn’t have won the contest without the help of Yún, the girl he liked who was instrumental in getting him the title of prince that got him into the palace . Furthermore, even though Kai does the tasks and wins, he and the princess Lian do not fall in love and mutually agree not to marry. Kai likes Yún, and the princess isn’t interested in marriage but is instead interested in education and learning how to be a good leader someday. This contest was all her father’s idea and in the end Lian exerts her independence and leaves home to go to school. It ends on a rather happy, promising note with Kai learning the truth about just how much Yún and his mother both aided him and the appearance that Yún may like Kai.

At the beginning of Fox & Phoenix, Kai is much more jaded, especially concerning fairy tales:

 

Once upon a stupid time, I liked fairy tales.

Ai-ya, what’s not to like? The poor kid from nowhere wins the jackpot, while the tilt-nosed snobs get turned into gargoyles. Or worse. But you know what? All those stories stop right there. They never mention what comes later. How your gang changes. How your best friend doesn’t end up as your one true love. And they never tell you how your heart’s desire might be a dangerous thing.

Or, in my case, just so damn boring.

This opening had me completely hooked and excited because I loved this idea of taking a character who used to enjoy fairy tales, then lived one, and found out that he didn’t live happily ever after. However, while there are some great ideas in this story I loved, I felt like it fell short in its execution. It never managed to engage me, even though I can appreciate some of the concepts and basic characterization put into the book. The story itself just never really managed to pull me in or make me care about the people involved. Part of this may have been because I was really expecting it to follow up more on the fairy tale gone wrong. While there was a little bit about that, it was really more of a new story about a quest to save a king than an exploration of fairy tales like the short story was.

It also had some rather uneven pacing. The beginning was strong, but then once Kai got his quest, it got bogged down in preparations for his journey and the actual trip to Phoenix City to find Lian. While I do think this is fitting with the idea that being part of a fairy tale isn’t all fun and games, it also didn’t make for very captivating reading. Once Kai got to Phoenix City, it got a lot less dull but it ended up feeling too long for the amount of story within, largely because of that chunk describing the time between the assignment of the quest and the actual arrival at Kai’s destination. There were times at the beginning and closer to the end that I found interesting, but it never made me feel like I just had to keep reading and find out what happened next.

One aspect of the story I did enjoy was how the characters were handled. They weren’t complexly drawn, but I did like how the main character wasn’t the smartest apprentice or the kid who was best at everything. Yún was actually the one who was smart, competent, and capable, and Kai was the one who took his studies less seriously and messed up more. In fact, I think most of the characters in the book had more maturity and awareness about the world than Kai did. I also liked that while it did what many YA books do in regard to having Kai’s mother absent as a character, she also still emerged as an important player – and in my opinion is the strongest, most incredible character in the entire story.

The world with its magic flux, animal spirits, and Chinese influence is compelling, but I also would have liked a few more details on how it worked. While I am glad there were not infodumps explaining it constantly, I did want to know more about the animal spirit companions in particular. Each character had one, and they usually appeared while the person was still very young. Kai having a pig spirit to talk was completely fun, but I found myself wanting to know much more about these companions – where they came from, what their purpose was, and how they came to be a companion for a specific human. Perhaps this will be explored later in the series.

Fox & Phoenix is full of some great concepts from its angle on fairy tales to its characters and its basic world structure, but it falls short in its execution. Despite some interesting ideas and a decent storyline, it never quite manages to be engaging with that special spark that made me want to know more and keep reading. While it had a strong beginning and a good ending, the middle really dragged, making it much longer than it needed to be for the story that was told. It was an ok book with some decent parts, but it’s not one that has me excited about the series like Beth Bernobich’s other novel Passion Play (which I thought was very readable and compelling despite some flaws and has me really curious about the next book).

My Rating: 5.5/10 – I keep going back and forth between “ok” and “somewhat good” because I felt like most of it was just ok, but there some aspects of the book I admired.

Where I got my reading copy: ARC from the publisher at the request of the author. (Quotes are from the excerpt on the author’s website since I never use quotes from unfinished copies of books.)

Read an Excerpt

Other Reviews:

Well, I didn’t get any books this week but my husband bought one and received a bunch he pre-ordered so I figured I’d talk about those in case anyone else was interested in them.

The Chronicles of Harris BurdickThe Chronicles of Harris Burdick by Chris van Allsburg (and a lot of other people)

Chris van Allsburg has written and illustrated a lot of well known children’s books, including Jumanji, The Polar Express, and Zathura. Another one of these books is The Mysteries of Harris Burdick, a collection of fourteen illustrations. The story is that Harris Burdick showed these pictures to someone to see if he would be interested in the stories that went with them, only to mysteriously disappear and never be heard from again. The Chronicles of Harris Burdick includes these fourteen illustrations with the fourteen stories and an introduction by Lemony Snicket. It includes stories written by Stephen King, Tabitha King, Lois Lowry, Gregory Maguire, Cory Doctorow, Sherman Alexie, and Chris van Allsburg himself.

I had never heard of The Mysteries of Burdick, although I do remember some of Chris van Allsburg’s books from when I was a kid. My husband remembered this book fondly, though, so when he saw there was now a collection of the stories, he had to have a copy.

An inspired collection of short stories by an all-star cast of best-selling storytellers based on the thought-provoking illustrations in Chris Van Allsburg’s The Mysteries of Harris Burdick.

For more than twenty-five years, the illustrations in the extraordinary Mysteries of Harris Burdick by Chris Van Allsburg have intrigued and entertained readers of all ages. Thousands of children have been inspired to weave their own stories to go with these enigmatic pictures. Now we’ve asked some of our very best storytellers to spin the tales. Enter The Chronicles of Harris Burdick to gather this incredible compendium of stories: mysterious, funny, creepy, poignant, these are tales you won’t soon forget.

This inspired collection of short stories features many remarkable, best-selling authors in the worlds of both adult and children’s literature: Sherman Alexie, M.T. Anderson, Kate DiCamillo, Cory Doctorow, Jules Feiffer, Stephen King, Tabitha King, Lois Lowry, Gregory Maguire, Walter Dean Myers, Linda Sue Park, Louis Sachar, Jon Scieszka, Lemony Snicket, and Chris Van Allsburg himself.

Van Allsburg’s Harris Burdick illustrations have evoked such wonderment and imagination since Harris Burdick’s original publication in 1984; many have speculated or have woven their own stories to go with his images. More than ever, the illustrations send off their eerie call for text and continue to compel and pick at the reader’s brain for a backstory—a threaded tale behind the image. In this book, we’ve collected some of the best storytellers to spin them.

A while ago my husband pre-ordered a signed copy of Snuff by Terry Pratchett from this site, which has a whole bunch of books signed by Terry Pratchett available. While he was there, he also ordered a few of these other books signed by Terry Pratchett. Since I suspect most of you have heard of these books, I’m just going to list them:

Snuff
Snuff was just released on October 13th and is the newest Discworld book. I did mention this book here before since we were lucky enough to win a copy of the ARC from a random drawing of people who pre-ordered a signed copy. We both read that a while ago. It’s a Vimes book and it’s very good. (I also liked that it had a few Jane Austen references.)

Small Gods
We got a copy of this one signed because both of us agree it’s one of the best Discworld books there is – religion, philosophy, and hilarity.

The Science of Discworld, The Science of Discworld II: The Globe, The Science of Discworld III: Darwin’s Watch
We decided to get these three just because they are difficult to find, at least in the US. I was kind of confused about what exactly they were after reading the back and my husband was still confused about what they were after reading a little bit of the first one. They appear to be a combination of a fiction story and information on science from what I read on them.

The Magician King is the sequel to Lev Grossman’s New York Times bestselling novel The Magicians, which was recently optioned by Fox as a television series. Lev Grossman also won this year’s John W. Campbell Award for Best New Writer, so it seems to be a pretty good year for him.

Since this is a direct sequel, there will be spoilers for The Magicians in this review. If you do not want to be spoiled, do not read the rest of this review. Personally, I don’t think this is a book where knowing the details spoils it since so much of what makes it enjoyable is the tone and the way it is written, but I want to make sure those who can’t abide spoilers at all know to stay away!

Now that Quentin is one of the four kings and queens of Fillory, he’s finding himself growing bored. It turns out there’s not really that much ruling that needs to be done when residing over a magical kingdom where it’s nearly impossible not to have a bountiful harvest. There are few people and plenty of food and other resources, so there’s not a lot of conflict among the people. What duties there are with ruling are divided among four kings and queens. Quentin is finding the constant leisure time, feasting, and drinking is starting to get dull. He needs some adventure in his life: he needs to go on a quest.

So when he hears the Fillorian citizens of the distant Outer Island have not been paying their taxes, he decides to go there himself and tell them to pay up. In the true spirit of questing, he has a ship refinished to his specifications (which costs more than the unpaid taxes he’s going after) and holds a tournament to find the best fighter in the land to become his bodyguard. Then he sets out on his journey. His actual visit is pretty uneventful since he tours the island and no one argues with him about paying the missing taxes. While he is there, he hears about the magical golden key and sets out to a land beyond Fillory to retrieve them. The first one is easily found, but his magical moment is shattered when he and Queen Julia walk through the portal it unlocks – only to find they are back on Earth.

Quentin and Julia are desperate to get back to Fillory, and they may only be able to do so by delving into Julia’s past and her unique knowledge of magic, gained by learning it outside of the magic school.

In The Magicians, Lev Grossman took the fantasy tropes of the school of magic and the portal to a magical realm and made them more unconventional. The world of learning magic was both more mundane – since learning magic had its dull moments, just like learning any subject – and scarier because messing up had far bigger consequences that were not magically reversed. The part that really made it different to me was the cast of characters, though: a group of very intelligent but very sullen teenagers. They got drunk, they swore, they could be real jerks, they messed up, and there was nothing heroic about them.

The Magician King is an examination of the quests so common to fantasy and what it really means to be a hero. In this book, Quentin wants to find adventure, go on a quest, and be a hero. Now in his twenties, Quentin is not the same person he was in the first book. He’s not perfect hero material by any means – after all, his initial quest is mainly about easing boredom. Since the people don’t really seem to need his help in a magical kingdom, that doesn’t necessarily mean Quentin wouldn’t take on a more noble quest. He does actually express interest in wanting to do something for them, although I’m not sure if it’s really out of the goodness of his heart or just so he has something to keep himself occupied.  When he does undertake his quest, it’s not a selfless act but a grandiose way of going out and finding adventure, although there are some definite signs that Quentin’s developed some empathy along the way. When he meets a talented young cartographer, he reminds him of his younger self and he encourages him by bringing him with him and giving him the task of making a better map of the Outer Island. Likewise, he meets a little girl on the Outer Island who is neglected by her mother, reminding him of his own childhood. Quentin notices this and performs acts of kindness for her. Also – this doesn’t go into details about the specific ending but deals more with the change in Quentin’s character at the end, but since it is from the very end, I’m hiding it behind spoiler tags:

This isn’t just Quentin’s story, though. It’s also the story of Julia, the girl who was rejected from Brakebills but was never able to forget about it like she was supposed to. Throughout the book, it fills in the gaps of what happened to Julia back on Earth after that and before she became one of the queens of Fillory. Much of her story wasn’t as compelling to me as the present story, although I certainly admired her intelligence and determination in pursuing magic – and how she became the best magician on Earth in the process. I also liked the way it showed that there were some advantages to the way she learned magic as opposed to studying it at Brakebills like Quentin and the others. The two ways were different but one wasn’t necessarily superior to the other. What happened to Julia was important, especially because it did end up tying in with the main quest. It was even interesting for the most part, especially once it got to the part that was crucial to the end. Some of the parts in the middle of her story did drag a bit, though, and Julia is less likable than the new Quentin (not the old one from the same time this took place, though – I was really surprised by how much I actually liked Quentin in this book). She’s darker and has less wry humor than Quentin does, and I think the latter reason especially is why I never quite enjoyed her parts to the same degree, regardless of having an appreciation for them. At the end, Julia also undergoes a transformation, although hers is a very different one from Quentin’s.

There is one part of Julia’s past that may bother some sensitive to certain topics, but this is one of the very last parts in her flashbacks so it’s behind spoiler tags:

I loved the writing, mostly for the sense of humor,  phrasing, and Quentin’s observations.

 

He liked the dryads, the mysterious nymphs who watched over oak trees. You really knew you were in a magical fantasy otherworld when a beautiful woman wearing a skimpy dress made of leaves suddenly jumped out of a tree. [pp. 7]

 

There was some murmuring among among the upper servants that such a spartan chamber was not entirely suitable for a king of Fillory, but Quentin had decided that one of the good things about being a king of Fillory was that you got to decide what’s suitable for a king of Fillory.

And anyway, if it was high royal style they wanted, the High King was their man. Eliot had a bottomless appetite for it. His bedroom was the gilded, diamond-studded, pearl-encrusted rococo lair of a god-king. Whatever else it was, it was entirely suitable.

[pp. 28]

It’s not heavily or densely written, but there are so many quotable lines that made me laugh out loud. That said, there were a few jokes that made me groan, too, such as the reference to the diplomatic queen as “Fillory Clinton.” There were also a few occasions were a joke was initially funny, but then it was drawn out too much. The book is peppered with references from Dr. Who to Lord of the Rings to Super Mario Brothers.

The Magician King is every bit as good as The Magicians, perhaps even a little bit better in its execution. Once again, Lev Grossman has taken some familiar fantasy tropes and made them something slightly different than what you normally read. It’s not always happy and the unhappy parts are not magically reversed, but the hero’s quest has a perfect ending with threads tied together well. In addition, there’s some great character development and parallels between the journeys of the two main characters. It’s not a perfect book since a few parts did drag and while they were mostly funny some of the jokes did fall flat, but it is one where the more I think about it, the more I like it.

My Rating: 8/10

Where I got my reading copy: ARC from BEA where I briefly met and chatted with Lev Grossman and a finished copy from the publisher. (Most of what I read was the finished copy, especially since I reread a lot of it for writing this review. All quotes are from the finished copy.)

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