Robert Asprin, author of the Myth and Phule series and one of the original editors of Thieves’ World, died yesterday. As I mentioned in my review of Dragons Wild earlier this week, he was one of my favorite authors when I was growing up, and I’ve read and reread his early books probably dozens of times. Though Asprin had a very difficult personal life for many years that was reflected in his professional struggles, he at least was able to climb back in the last few years of his life and was reportedly living happily in his adopted home of New Orleans when he died.
May
23
2008
May
22
2008
I’ve seen a couple of release dates lately that caught my interest.
Nation, the upcoming young adult book by Terry Pratchett, is scheduled for release on September 30 of this year. This is not a book in the Discworld universe but is a book he has had in mind for a few years and finally decided to write. It is available for preorder on Amazon.
There is an announcement on George R. R. Martin’s news page that the next “Wild Cards” book, Busted Flush, will be available in this December. It can also be preordered from Amazon.
May
20
2008
This post on Ann Aguirre’s blog answering reader’s questions about her novel Grimspace is absolutely hilarious. Apparently the ladies go wild for Vel. Who would have guessed a bug-alien would be so hot?
Edit: Oops, had the wrong link to the post. I guess I didn’t actually copy the link and the last one I had was for a work-related site I was debugging in Internet Explorer earlier. It actually goes to the right post now, though!
May
19
2008
 Dragons Wild |
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Dragons Wild is Robert Asprin’s return to solo writing after a long run of co-authored books and marks the beginning of a new humorous fantasy series from the author of the Myth and Phule’s Company books. Though his best work is now nearly twenty years old and many of his recent efforts have been uneven (and that’s being generous), Dragons Wild shows glimmers of Asprin’s previous talent. Whether the rest of the series can build on that remains to be seen, but Dragons Wild functions as an acceptable book on its own and sets up a world that has a great deal of potential.
Griffen McCandles has what you might call a genetic disorder: he’s a dragon. After living the first twenty years of his life in blissful ignorance of this fact he is let in on the secret during a job interview with his uncle Mal. It seems that his entire family is of dragon blood, and they are far from alone; dragon society functions as an Illuminati of sorts, living secretly among humans but exercising their supernatural powers to gain power and wealth. Needless to say, the job interview is not exactly for the position Griffen thought it was for. Mal really does want to recruit him though, since not only is Griffen a dragon but, as the son of two (murdered) purebloods, he is likely to be among the most powerful dragons alive once his abilities fully develop.
Mal is not the only dragon who wants to gain the support of Griffen and his younger sister Valerie. The various draconic power blocs all show their interest in different ways; some are content to observe from afar, while others take a more…active role in their lives. The latter group quickly drives Griffen and Valerie out of their current lives and into hiding with a group of lesser dragons in the French Quarter of New Orleans, where the pair quickly rise to leadership in the dragons’ underground gambling operation. Given their powers though, this relatively low-profile life cannot last for long, and the local police are the least of their problems.
I should probably start out by saying that I am a die-hard Robert Asprin fan. This isn’t necessarily a sign of intelligence on my part, to be honest; I said that his best work was written twenty years ago, and with the exception of the first two Phule books, nearly everything he’s published since then have been somewhere between mediocre and horrible. But I’ve bought and read them nonetheless based on the quality of the early Myth books, which I read and reread until the covers literally fell off…and then bought new copies, which I read until they also fell apart. Luckily, I had pretty much memorized them by that point, so missing pages were no big deal.
Yeah, I lived what you might call a solitary childhood.
But the point is that I’ve suffered through a lot of books where it seemed like Asprin had completely lost not only his wit and talent but, in some cases, his most basic writing skills. Dragons Wild is certainly not back to the level of the pre-M.Y.T.H. Inc Link books, but it is a step up from anything else he’s written in fifteen years. There are still some fairly large flaws–the first few chapters are as ham-fisted an attempt at introducing characters and setting as you’ll ever read–but Asprin’s wit starts to come through despite those problems.
Griffen and Valerie are both interesting characters, and the supporting cast certainly adds a lot of flavor. Cajun, to be specific…Asprin fell in love with New Orleans many years ago, and that props up large sections of the book. In fact, anybody with an exacto knife and a photocopier could make a pretty good tour guide of the French Quarter out of Dragons Wild. This is not always a good thing as the descriptions often don’t add anything to the book, but they do occasionally provide a space for Asprin to riff, which he does well.
Dragons Wild is not a return to glory for Asprin, but it at least is an indication that he is not as far gone as he has often seemed lately. Whether it is worth reading will probably depend on how future books in the series pan out; the potential is there, but whether Asprin can continue to regain his ability to execute that potential is yet to be determined.
6/10
May
18
2008
  Last Dragon |
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J.M. McDermott’s debut Last Dragon is one of the books published under the new Wizards of the Coast Discoveries imprint. Discoveries includes novels by new authors in all types of speculative fiction instead of just epic fantasy with settings outside of the Forgotten Realms universe. The goal is to publish more mature fiction that appeals to adult readers instead of the simplistic but fun stories that often end up getting adolescents hooked on reading fantasy. Far more original and artistic than the typical Wizards of the Coast book, Last Dragon succeeds at meeting this standard, though it is not flawless.
Last Dragon is the fragmented memories of the dying empress Zhan. She reminisces about the creation of her empire via letters to her former lover Esumi, removed from her by the emperor after they had a child together. As a young woman, Zhan trained to be a warrior as all second children in a family did. On the night Zhan was to officially become a full-fledged member of the rider tribe, a messenger arrived with the news that Zhan’s entire family except for an uncle had been murdered by her grandfather. The young woman’s dreams of battle are shattered since duty means she must leave to avenge her family’s death and become the apprentice of her remaining relative, who is a shaman.
Zhan and her uncle Seth journey south to find and kill their kinsman. Once there, Zhan meets the elderly paladin Adel, who served the last dragon before it died. Adel joins Zhan and Seth, along with a mercenary and Seth’s new gypsy girlfriend, and is instrumental in forging the new empire. Zhan recalls that Adel was a hero who inspired many skald songs but she is not sure if Adel was actually their savior or not.
Plot is not the point of this novel – its highlight is lovely, descriptive prose that creates a strong sense of atmosphere and evokes emotion. Events do not occur in chronological order but are recounted in a free association style. Zhan will briefly refer to something that happened in one of her memories, then she will recount the details of that event. After this, she may go back to the previous remembrance or it may remind her of something else that she writes about next. At times, this can get confusing, and due to this, Last Dragon would probably make more sense on a reread. It’s not very difficult to get the general idea but since some characters are introduced before the time and place they are in is revealed, a second reading would be helpful for tying all the pieces together.
The entire story is told in short chunks of text, some of which are just a couple of lines long or a single paragraph. The longest passages are about 3 pages long, making this book shorter than it looks. This method of storytelling adds to the sense of atmosphere and gives the feeling that you are actually reading a letter or journal.
The main flaws with this novel were that it dragged a little about 2/3 of the way in and at times it seemed a bit repetitive. The repetition seemed fitting since I got the impression Zhan was getting worse as time went on and perhaps a bit delirious, but it did not make the book more interesting to read.
The characters were interesting and being in Zhan’s head gave a very clear sense of her harshest memories. Other characters were not as fleshed out since they were seen through the eyes of the empress who certainly was not an omniscient narrator. Yet at times Zhan summarized them simply and with great clarity, as in the following passage:
This woman was Adel. Esumi, You have heard of her, from all the skalds’ songs and the rumors that have spread in the decades. I place no stock in most of them, but I know two rumors to be true. She was one of the greatest paladins once, before the fall, and love ruined her, twice.
In this literary fantasy, J.M. McDermott superbly captures emotions and a wonderful sense of atmosphere with florid, descriptive writing. It does get a bit redundant after a while, and those looking for a book with a strong plot or lots of action will definitely want to look elsewhere, but Last Dragon is certainly more unique than the typical fantasy.
7/10
More information on Last Dragon (including a sample chapter)
Other opinions:
May
17
2008
  Hood |
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Hood is the first book in the new “King Raven” trilogy by Stephen Lawhead. Scarlet, the second book in the series, is also available, but the concluding volume Tuck has not yet been released. Much like the tales of King Arthur, Robin Hood is a story that has evolved over the years and Lawhead wanted to tell the tale set during the time it seems to have first appeared. Thus Hood begins a version of the classic legend set in 1093 during the reign of William II.
Bran, the irresponsible Welsh prince of Elfael, is more interested in charming women than in duty and politics. Because of this, he is trying to steal a kiss from a young lady when he should have been riding to Lundein with his father’s war party to swear fealty to William II. Bran heads out to catch up with the warriors and meets his friend Iwan, riding to Elfael as quickly as he can with terrible news. Bran’s father and the rest of his men were killed by Normans, and King William II has given these invaders the land of Elfael.
Bran and Iwan warn the people who take refuge at a nearby monastery. The young prince believes he should flee to the north, but the monk Ffreol and Iwan convince Bran that they must go to King William II and attempt to get their land back. The three journey to the capital where they are told that Elfael is theirs again for the price of 600 marks, which is about 3 times as much money as the small Welsh kingdom has in its treasury. Regaining their homeland seems hopeless at first, but the prince and his friends devise a plan to purchase it using the conqueror’s own funds.
Although part of the plot contains tales of a giant raven that haunts the forest and Celtic mythology, this novel falls more into the category of historical fiction than fantasy. Magic does not play a key role in this book. The setting is the real world and many of the events, such as the Norman invasion of Britain and the reign of King William II, actually happened.
Hood definitely feels like the first novel in a series since most of the novel feels like it is setting up the story and the pace does not seem to pick up until the end. The first part of the book describes the death of Bran’s parents and the turmoil taking place in England and much of the middle is dedicated to detailing Bran’s recovery from an injury and training for leadership. Bran’s preparation for responsibility was drawn out and I did get bored reading about Bran wandering around the woods making long bows. Fortunately this part of the book was interspersed with the political rivalry of the count who invaded Elfael and the baron who would like the land for himself, which I found far more interesting.
The prose was neither elaborate nor florid but crisp and to the point. It was descriptive at times, but never so detailed that it was drawn out and dull.
The characters have potential to be interesting in later volumes, but Bran was the only one who really developed in this book as he went from a selfish young man to a leader. The Normans seemed like pure villains without any good qualities, but they were not the cackling, monologuing type of bad guy either – they appeared to be doing their job as citizens of a conquering country while doing their best to advance their own interests. Count de Braose was up front about not caring about the people, and to counteract this, his enemy Baron de Neufmarche put on a false front to get into the good graces of the Welsh people. Tyrannical rulers throughout history have failed to address the needs of the people unless it suits their own ends, particularly if the commoners are not from the same country. Because of this, even though they were not particularly gray characters with lots of depth, the “villains” did not seem like unrealistic characters either.
“King Raven” shares many similarities with Lawhead’s “Pendragon Cycle”, which told the story of King Arthur. It is a somewhat twisted version of a familiar legend with a Celtic backdrop, and Bran’s teacher Angharad appears to have a similar role to Myrddin (Merlin). The older series is much more easily recognizable as the tale of King Arthur than at least the first book of “King Raven” is as Robin Hood, however.
Hood is an entertaining take on the tale of the rogue who steals from the rich and gives to the poor, although it does suffer from a slow middle and the feeling that it mainly exists to set up a larger story. The end was where it began to come together, and I look forward to seeing what happens in the next installment of this series.
7/10
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