The Leaning Pile of Books is a feature where I discuss books I got over the last week—old or new, bought or received in the mail for review consideration (most of which are unsolicited books from publishers). Since I hope you will find new books you’re interested in reading in these posts, I try to be as informative as possible. If I can find them, links to excerpts, author’s websites, and places where you can find more information on the book are included.

Like last weekend, I’m covering some of the highlights from April, plus a couple of books from last week. The first of these came from the publisher, and the rest were gifts.

Unraveling - Karen Lord - Book Cover

Unraveling by Karen Lord

Karen Lord’s next book will be released on June 4 (hardcover, ebook). The publisher’s website has an excerpt from Unraveling.

I’ve been looking forward to this novel since I enjoyed Karen Lord’s The Best of All Possible Worlds and Redemption in Indigo.

 

In this standalone fantasy novel by an award-winning author, the dark truth behind a string of unusual murders leads to an otherworldly exploration of spirits, myth, and memory, steeped in Caribbean storytelling.

Dr. Miranda Ecouvo, forensic therapist of the City, just helped put a serial killer behind bars. But she soon discovers that her investigation into seven unusual murders is not yet complete. A near-death experience throws her out of time and into a realm of labyrinths and spirits. There, she encounters brothers Chance and the Trickster, who have an otherworldly interest in the seemingly mundane crimes from her files.

It appears the true mastermind behind the murders is still on the loose, chasing a myth to achieve immortality. Together, Miranda, Chance, and the Trickster must travel through conjured mazes, following threads of memory to locate the shadowy killer. As they journey deeper, they discover even more questions that will take pain and patience to answer. What is the price of power? Where is the path to redemption? And how can they stop the man—or monster—who would kill the innocent to live forever?

A Thousand Beginnings and Endings Anthology Cover

A Thousand Beginnings and Endings edited by Ellen Oh and Elsie Chapman

This anthology of retold Asian myths and legends is available now (hardcover, ebook, audiobook). The publisher’s website has a sample from A Thousand Beginnings and Endings.

 

Star-crossed lovers, meddling immortals, feigned identities, battles of wits, and dire warnings: these are the stuff of fairy tale, myth, and folklore that have drawn us in for centuries.

Sixteen bestselling and acclaimed authors reimagine the folklore and mythology of East and South Asia in short stories that are by turns enchanting, heartbreaking, romantic, and passionate.

Compiled by We Need Diverse Books’s Ellen Oh and Elsie Chapman—who both contributed stories to this edition, as well—the authors included in this exquisite collection are: Renée Ahdieh, Sona Charaipotra, Preeti Chhibber, Roshani Chokshi, Aliette de Bodard, Melissa de la Cruz, Julie Kagawa, Rahul Kanakia, Lori M. Lee, E. C. Myers, Cindy Pon, Aisha Saeed, Shveta Thakrar, and Alyssa Wong.

A mountain loses her heart. Two sisters transform into birds to escape captivity. A young man learns the true meaning of sacrifice. A young woman takes up her mother’s mantle and leads the dead to their final resting place.

From fantasy to science fiction to contemporary, from romance to tales of revenge, these stories will beguile readers from start to finish. For fans of Neil Gaiman’s Unnatural Creatures and Ameriie’s New York Times–bestselling Because You Love to Hate Me.

A Spark of White Fire - Sangu Mandanna - Book Cover

A Spark of White Fire (Celestial Trilogy #1) by Sangu Mandanna

The first book in the Celestial Trilogy, a science fiction series based on the Mahabrahata, is out now (hardcover, ebook, paperback coming in August). A House of Rage and Sorrow, the second book in the trilogy, is scheduled for release on September 3, and a prequel short story, “Steel and Flowers” can be read online.

I got A Spark of White Fire for my birthday, and I’ve already read it since I’d been hearing a lot about it. And it is wonderful—a blend of space opera and myth with interesting character twists and turns. I can hardly wait for A House of Rage and Sorrow!

 

The first book in a scifi retelling of the Mahabrahata. When Esmae wins a contest of skill, she sets off events that trigger an inevitable and unwinnable war that pits her against the family she would give anything to return to.

In a universe of capricious gods, dark moons, and kingdoms built on the backs of spaceships, a cursed queen sends her infant daughter away, a jealous uncle steals the throne of Kali from his nephew, and an exiled prince vows to take his crown back.

Raised alone and far away from her home on Kali, Esmae longs to return to her family. When the King of Wychstar offers to gift the unbeatable, sentient warship Titania to a warrior that can win his competition, she sees her way home: she’ll enter the competition, reveal her true identity to the world, and help her famous brother win back the crown of Kali.

It’s a great plan. Until it falls apart.

Inspired by the Mahabharata and other ancient Indian stories, A Spark of White Fire is a lush, sweeping space opera about family, curses, and the endless battle between jealousy and love.

Red Clocks - Leni Zumas - Book Cover

Red Clocks by Leni Zumas

Red Clocks—a national bestseller, a Time Best Book of the Year, and a Goodreads Choice Award finalist in the Science Fiction category—is out now (hardcover, trade paperback, ebook, audiobook). It’s also a finalist for this year’s Neukom Institute Literary Arts Awards, which were just announced last week.

The publisher’s website has an excerpt from Red Clocks.

 

Five women. One question. What is a woman for?

In this ferociously imaginative novel, abortion is once again illegal in America, in-vitro fertilization is banned, and the Personhood Amendment grants rights of life, liberty, and property to every embryo. In a small Oregon fishing town, five very different women navigate these new barriers alongside age-old questions surrounding motherhood, identity, and freedom.

Ro, a single high-school teacher, is trying to have a baby on her own, while also writing a biography of Eivør, a little-known 19th-century female polar explorer. Susan is a frustrated mother of two, trapped in a crumbling marriage. Mattie is the adopted daughter of doting parents and one of Ro’s best students, who finds herself pregnant with nowhere to turn. And Gin is the gifted, forest-dwelling herbalist, or “mender,” who brings all their fates together when she’s arrested and put on trial in a frenzied modern-day witch hunt.

RED CLOCKS is at once a riveting drama, whose mysteries unfold with magnetic energy, and a shattering novel of ideas. In the vein of Margaret Atwood and Eileen Myles, Leni Zumas fearlessly explores the contours of female experience, evoking THE HANDMAID’S TALE for a new millennium. This is a story of resilience, transformation, and hope in tumultuous-even frightening-times.

Saga, Volume 7 Cover

Saga, Volume 7 by Brian K. Vaughan and Fiona Staples

Saga, Volume 7 is out now in paperback and ebook (as are volumes 8 and 9, which I still need to read).

I read this a couple of nights ago, and it is SO GOOD (and that ending!).

 

From the worldwide bestselling team of FIONA STAPLES and BRIAN K. VAUGHAN, “The War for Phang” is an epic, self-contained SAGA event! Finally reunited with her ever-expanding family, Hazel travels to a war-torn comet that Wreath and Landfall have been battling over for ages. New friendships are forged and others are lost forever in this action-packed volume about families, combat and the refugee experience.

Collects issues 37 through 42.

The Leaning Pile of Books is a feature where I discuss books I got over the last week—old or new, bought or received in the mail for review consideration (most of which are unsolicited books from publishers). Since I hope you will find new books you’re interested in reading in these posts, I try to be as informative as possible. If I can find them, links to excerpts, author’s websites, and places where you can find more information on the book are included.

It’s been a while since the last one of these features since last month was dedicated to featuring wonderful guest posts for Women in SF&F Month 2019. (If you missed it, that link goes to a page with all the information you should need to catch up!)

It would take forever to cover all the books that have come in since then, so I’m just going to cover some of the highlights this weekend and next, starting with five arrivals from the last month or so.

A Brightness Long Ago by Guy Gavriel Kay

A Brightness Long Ago by Guy Gavriel Kay

Guy Gavriel Kay’s next novel, set in a world inspired by Renaissance Italy, will be released on May 14 (hardcover, ebook, audiobook).

Penguin Random House Canada has an excerpt from A Brightness Long Ago, and Penguin Random House has a schedule for some upcoming US tour events (at the moment, they are in Seattle and San Francisco).

I’ve been looking forward to this one since Guy Gavriel Kay has written some novels I’m particularly fond of—including River of Stars, which I was fortunate enough to ask him some questions about in an interview in 2013.

 

International bestselling author Guy Gavriel Kay’s latest work is set in a world evoking early Renaissance Italy and offers an extraordinary cast of characters whose lives come together through destiny, love, and ambition.

In a chamber overlooking the nighttime waterways of a maritime city, a man looks back on his youth and the people who shaped his life. Danio Cerra’s intelligence won him entry to a renowned school even though he was only the son of a tailor. He took service at the court of a ruling count—and soon learned why that man was known as the Beast.

Danio’s fate changed the moment he saw and recognized Adria Ripoli as she entered the count’s chambers one autumn night—intending to kill. Born to power, Adria had chosen, instead of a life of comfort, one of danger—and freedom. Which is how she encounters Danio in a perilous time and place.

Vivid figures share the unfolding story. Among them: a healer determined to defy her expected lot; a charming, frivolous son of immense wealth; a powerful religious leader more decadent than devout; and, affecting all these lives and many more, two larger-than-life mercenary commanders, lifelong adversaries, whose rivalry puts a world in the balance.

A Brightness Long Ago offers both compelling drama and deeply moving reflections on the nature of memory, the choices we make in life, and the role played by the turning of Fortune’s wheel.

Descendant of the Crane by Joan He

Descendant of the Crane by Joan He

Joan He’s debut novel was released last month (hardcover, ebook). NPR has an excerpt from Descendant of the Crane.

This is another book I’ve been looking forward to for a while. I’m about halfway through it right now, and so far, it’s quite good—prettily written with truth as a major theme.

It’s also a beautiful book, and the copy I pre-ordered came with a lovely bookmark and some character cards. (I did take some photos of these for Twitter!)

 

Tyrants cut out hearts. Rulers sacrifice their own. Princess Hesina of Yan has always been eager to shirk the responsibilities of the crown, but when her beloved father is murdered, she’s thrust into power, suddenly the queen of an unstable kingdom. Determined to find her father’s killer, Hesina does something desperate: she enlists the aid of a soothsayer—a treasonous act, punishable by death… because in Yan, magic was outlawed centuries ago.

Using the information illicitly provided by the sooth, and uncertain if she can trust even her family, Hesina turns to Akira—a brilliant investigator who’s also a convicted criminal with secrets of his own. With the future of her kingdom at stake, can Hesina find justice for her father? Or will the cost be too high?

In this shimmering Chinese-inspired fantasy, debut author Joan He introduces a determined and vulnerable young heroine struggling to do right in a world brimming with deception.

Dreams of Dark and Light by Tanith Lee Cover

Dreams of Dark and Light: The Great Short Fiction of Tanith Lee

Dreams of Dark and Light is out of print, so I was thrilled to get a copy of it for my birthday last month! I want to read more by Tanith Lee, and I’ve wanted to read this book in particular since T. Frohock recommended it as being an especially good collection of her short fiction.

 

Tanith Lee today is one of the most versatile and respected writers of fantasy, horror, and science fiction, and DREAMS OF DARK AND LIGHT represents a massive mid-career retrospective of her achievements over the previous decade.

Here are unforgettable tales of werewolves that prowl chateaux, an Earthwoman in exile on a distant planet, demons that inhabit bodies of the living dead, a race of vampiric creatures who prey upon a cursed castle, and many other works of exotic vision, mythic science fiction, and contemporary horror. Also included are two stories that have received the World Fantasy Award, “Elle est Trois, (La Mort)” and “The Gorgon,” making DREAMS OF DARK AND LIGHT a distinguished one volume library of myth-weaving at its most eloquent and evocative.

Jade War by Fonda Lee Cover

Jade War (The Green Bone Saga #2) by Fonda Lee

Jade War will be released on July 23 (hardcover, ebook, audiobook).

Jade City, the first book in The Green Bone Saga, won World Fantasy and Aurora Awards and was a Nebula Award finalist. The publisher’s website has an excerpt from Jade City, and the author’s website has some extras and an audiobook sample.

I am curious to find out where this series goes next after Jade City (which I reviewed here).

 

In Jade War, the sequel to the World Fantasy Award-winning novel Jade City, the Kaul siblings battle rival clans for honor and control over an Asia-inspired fantasy metropolis.

On the island of Kekon, the Kaul family is locked in a violent feud for control of the capital city and the supply of magical jade that endows trained Green Bone warriors with supernatural powers they alone have possessed for hundreds of years.

Beyond Kekon’s borders, war is brewing. Powerful foreign governments and mercenary criminal kingpins alike turn their eyes on the island nation. Jade, Kekon’s most prized resource, could make them rich – or give them the edge they’d need to topple their rivals.

Faced with threats on all sides, the Kaul family is forced to form new and dangerous alliances, confront enemies in the darkest streets and the tallest office towers, and put honor aside in order to do whatever it takes to ensure their own survival – and that of all the Green Bones of Kekon.

Jade War is the second book of the Green Bone Saga, an epic trilogy about family, honor, and those who live and die by the ancient laws of blood and jade.

The Green Bone Saga
Jade City
Jade War

Sixteen Ways to Defend a Walled City - K. J. Parker - Cover

Sixteen Ways to Defend a Walled City by K. J. Parker

The latest novel by K. J. Parker came out last month (trade paperback, ebook). The publisher’s website has an excerpt from Sixteen Ways to Defend a Walled City.

 

K. J. Parker’s new novel is the remarkable tale of the siege of a walled city, and the even more remarkable man who had to defend it.

A siege is approaching, and the city has little time to prepare. The people have no food and no weapons, and the enemy has sworn to slaughter them all.

To save the city will take a miracle, but what it has is Orhan. A colonel of engineers, Orhan has far more experience with bridge-building than battles, is a cheat and a liar, and has a serious problem with authority. He is, in other words, perfect for the job.

Sixteen Ways To Defend a Walled City is the story of Orhan, son of Siyyah Doctus Felix Praeclarissimus, and his history of the Great Siege, written down so that the deeds and sufferings of great men may never be forgotten.

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Thank you so much to all of last week’s guests! In case you missed any of their essays, here’s a summary with links to guest posts from last week:

With April coming to a close, that’s the end of this year’s Women in SF&F Month. Thank you to all of this year’s guests for your wonderful essays and making another Women in SF&F Month amazing!

For those of you have may have missed any guest posts from earlier this month, you can browse through all of the Women in SF&F Month 2019 guest posts here, or you can find them individually below:

* The Reader-Recommended SFF Books by Women Project
In 2013, Renay started the recommendation list project linked on the sidebar on the right—and it’s been a part of Women in SF&F Month every year since! In addition to discussing history and SFF fandom in her guest post at the beginning of the month, she also unveiled the latest list of recommended books by women including submissions from 2018, and she also issued an invitation to add up to 10 science fiction and/or fantasy books by women that you read and loved so the list continues to grow! (If you have already added books during previous years and don’t remember which you have already recommended, you can add up to 10 books you discovered over the last year.)

Although April is nearly over, there is still time to recommend more books for the list using the link above. It will remain open for at least another couple of weeks to allow those just finding out about it time to enter some books.

Thank you so much for reading!

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Today’s guest is fantasy and science fiction author Fran Wilde (who was also here during Women in SF&F Month 2017)! Her work includes the Bone Universe novels, beginning with her Compton Crook and Andre Norton Award–winning debut novel Updraft; “Only Their Shining Beauty Was Left,” which appeared in The Year’s Best Dark Fantasy & Horror 2017; and “Clearly Lettered in a Mostly Steady Hand,” a Eugie Award winner and a Nebula, Hugo, and World Fantasy Awards finalist. Riverland, her first middle grade novel, was just released earlier this month, and a standalone sequel to her Hugo and Nebula Award–nominated book The Jewel and Her Lapidary will be released on June 4. This new Gemworld novella, The Fire Opal Mechanism, is available for pre-order from Fountain Books—where it comes with a signed limited edition bookplate and a chance to win one of six fire opal pendants designed by Elise Mattheson!

The Fire Opal Mechanism Cover

Six Favorite Fictional Librarian Heroines
By Fran Wilde

“All librarians travel in time, Commissioner. Some more thoroughly than others.” – Ania Dem, Librarian, The Fire Opal Mechanism (Tor.com Publishing, June 4, 2019)

The librarians and library-adjacent people in my life constitute their own brilliant phylum—they hold degrees in information sciences, law, and library science; they wield their online catalogues like light against the darkness; they create refuges in their communities for words and for the people who need them. They are my family, my warriors, my first protectors. (I wrote about this at NerdyBookclub, too, when I talked about sheltering spaces for my debut middle grade, Riverland.)

I’ve always loved a good librarian story—and there were plenty of librarian heroes growing up, from Buffy the Vampire Slayer’s Giles to Terry Pratchett’s Librarian, to The Librarians…and those librarian heroines (and their real-life counterparts!) who shone through with their powers of recall, imagination, humor, and the ability to pace through time and meaning with the calm of a warrior.

It was recently National Library Week, and I was thinking in particular about those heroines as I prepare to send my own time-traveling librarian and archivist, Ania Dem, of the last university in the Far Reaches, out into the (gem)world with The Fire Opal Mechanism. Ania’s love for the books she guards places her in the middle of a struggle about language. It also gives her the opportunity to observe that “Books are measures of time. They are made to grow old, to grow—occasionally—wrong.”  This finished-ness and constancy is something that Ania has to explore across time as she fights a gem-laden printing press, and—at first—a very vexing thief.

Other librarian heroines have fought more than one foe in their own narratives. This list is a little non-traditional, but I find the real-life librarians I know embrace innovation as much as they do the through line of history.

Lirael Cover The Invisible Library Cover Geekomancy Cover

First, a nod to Bunny Watson, played by Katharine Hepburn in the movie Desk Set (1957). As the main foil (and an admirable parry) to Spenser Tracy’s tech-happy computer guy, Bunny is the head of a television network’s research department who shows the power of memory and recall that all librarian superheroines come by honestly each time she (sometimes hilariously) saves the day. While this is a struggle as much against sexism as it is against technology, in the end, Desk Set resolves into a momentary capture of changing times where Bunny proves human instinct will always be more important than programmability.

Barbara Gordon begins her appearances in the Batman comics and TV series as the head librarian for Gotham Public Library, and simultaneously as Batgirl. She later becomes digital hacker and reference guide, Oracle, following Alan Moore’s “The Killing Joke,” where she’s wounded in action. As leader of The Birds of Prey, or as guide to the Suicide Squad, she’s a heroine by night and by day, with great fashion sense, agency, and a PhD in Library Sciences.

Charlotte Abigail Lux, also known as CAL or the primary node of The Library in Dr. Who’s “Forest of the Dead” and “Silence of the Library,” is a young girl uploaded to a massive computer (the Library) in order to save her from illness, and given all the books of the universe to keep her entertained. CAL goes through several iterations, including frightened child, before she’s restored to the role of true librarian and, in her own fashion, saves the people within the library from an invasion.

On her fourteenth birthday, Lirael, Abhorsen-in-Waiting of Garth Nix’s Lirael, and, later, Abhorsen, is given the role of Assistant Librarian of the Great Library of the Clayr, in part because she doesn’t have the Sight. She is, however, to be revealed as a Remembrancer, and one of her people’s great heroes. Along the way she manages to find in the library an artifact that soon becomes her constant companion…the disreputable dog of the Old Kingdom series.

A professional spy for her Library, Irene Winters hunts dangerous books in Genevieve Cogman’s The Invisible Library, along with her assistant Kai. She’s posted to an alternative London, only to find herself ensnared in the kind of danger that’s often only found in the books she retrieves.

**Ree Reyes is not a librarian, per se. She works in a comic shop and as a part-time barista in Mike Underwood’s Geekomancy series. However, she navigates culture and fandom in the manner of a pro, so I’m including her here too!

Who are your favorite librarian heroines and library-adjacent heroines?

This list was created with deep and abiding thanks to my own librarian heroes and heroines, including (but not limited to) Ryan Labay at North Akron Library, Elizabeth Edinger at Catholic University, Lynne M. Thomas at University of Illinois, Lisa Pett, the librarians past and present at Tredyffrin Easttown Library, the librarians of Twitter and Goodreads, and Hope O’Keefe of the Library of Congress.

Fran Wilde Photo A former programmer, poet, teacher, and engineering/science writer, Fran Wilde’s novels and short stories have been finalists for three Nebula awards, two Hugo Awards, and a World Fantasy Award. They include her Nebula- and Compton Crook-winning debut novel, Updraft; its sequels, Cloudbound and Horizon; Gemworld novellas, The Jewel and Her Lapidary and The Fire Opal Mechanism; and her debut middle-grade novel Riverland. Her short stories appear in Asimov’s, Tor.com, and Nature Magazine. Her nonfiction appears at The Washington Post, iO9, Paste, and GeekMom.com. You can find her on Twitter, Instagram, Facebook, and at franwilde.net.

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Today’s guest is Nafiza Azad! She is a co-founder of The Book Wars, a website dedicated to children’s literature, and the author of the soon-to-be released YA fantasy novel The Candle and the Flame. This book—which she described on Goodreads as being “mostly about women being women in the most fantastic ways possible”—is her first novel, and it will be released on May 14!

The Candle and the Flame Cover

The Strong Woman: Politics of Feminine Power in THE CANDLE AND THE FLAME

My maternal grandfather passed away on the 18th of February. We got the news early in the morning, just after Fajr. I remember my ammi sitting frozen, her back towards us. I don’t know what was going through her mind at that point. I don’t know what flavour of grief she tasted at the moment.

An hour later, two of my dad’s sisters, my aunts, showed up and formed an unspoken and unacknowledged wall around my mother. They stayed by her side the entire day, feeding her, talking to her, helping her with the little rituals that come with the passing of a loved one.

Of the many people who came to our house that day, many of them were women. Time after time, I witnessed the latent strands of a sisterhood spark into life and buoy my mom. This sisterhood transcends language; it is forged from a background of shared experiences, losses, and life.

The prevalent narrative in the West where women of colour, especially Muslim women, are concerned seems to be one of oppression. I freely admit it, in some cases, oppression is definitely the truth. However, despite reluctance to believe otherwise, the truth is female power is not defined exclusively in the language prioritized by the West. In The Candle and the Flame, I wanted to show the kind of feminine power I grew up with; a feminine power that is akin to silk-covered steel. A power characterized by grace.

The majority of the characters in The Candle and the Flame are women; I am fascinated by the multiple ways femininity can be expressed. Fatima is the protagonist of the novel so I will say the least about her as I feel you should experience her growth for yourself. Achal Kaur, a woman in her sixties, is Fatima’s boss. She moved to a new country with her entire extended family, started a new business and made a success of it after she was widowed. Her power does not have the scent of blood but one of sheer perseverance and a stubborn refusal to give in to life.

Aruna is the king’s wife and though she is a crowned queen, she struggles to fit in a family among people who never let her forget she is not of them, that she is an Other. How she defines her strength is distinctly different from the way Achal Kaur describes it.

Bhavya is the lone princess of Qirat, the country in which the story is set. She struggles with feelings of incompetency and inferiority. Her journey towards self-realization and actualization is longer and more difficult because of the unique position her birth places her in.

These women live in a patriarchal society though they are lucky enough to be among people who do not actively oppress them. Just like my mom and my aunts, just like me and my cousins, these women engage in a brand of feminism called intersectional feminism (termed by Kimberle Williams Crenshaw). It is vastly different from the kind of feminism the West recognizes and sometimes differs enough that it is not even considered feminism by them.

However, the idea that the feminism that champions white women and their issues is the same kind of feminism POC women want and need is not just erroneous but also dangerous as it perpetuates the notion that there is only one way to be a woman.  Obviously this is untrue; there are multiple ways of being a woman just as there are multiple ways of expressing feminine strength.

It is this theme that I engage with prominently in The Candle and the Flame. While Fatima does have physical strength and shows it off in fights, she does so infrequently. She concedes to the authority of her elders and withdraws from situations out of respect to their age. She curbs her tongue and tailors her language to be within the boundaries placed upon her by the culture she lives in. Bhavya, the princess, on the other hand, flouts age and authority almost daily. Aruna is always breathtakingly proper and makes her politeness a weapon with which she deals with people who seek to oppress her.

I believe that feminine power is one of the most potent kinds of power there is, especially since people seem to frequently disregard women and what they are capable of. YA fantasy, in particular, has, in the past, paid close attention to and portrayed girls and women who are strong and use swords to prove it. It is time other kinds of femininities and different kinds of strength were given the spotlight. The Candle and the Flame is amongst the many other books being released this year that do just that.

Nafiza Azad Photo Nafiza Azad is a self-identified island girl. She has hurricanes in her blood and dreams of a time she can exist solely on mangoes and pineapple. Born in Lautoka, Fiji, she currently resides in BC, Canada where she reads too many books, watches too many Kdramas and writes stories about girls taking over the world. Her debut YA fantasy, THE CANDLE AND THE FLAME, will be released by Scholastic in 2019.

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Today’s guest is Hafsah Faizal! We Hunt the Flame, her YA fantasy debut novel inspired in part by ancient Arabia, has received starred reviews from Booklist and The Bulletin of the Center for Children’s Books. You can read chapter one on Hypable right now—and you can read the book in its entirety when We Hunt the Flame is released on May 14!

We Hunt the Flame Cover

Nearly every author introduces a trope into their novel at some point, whether to eventually subvert said trope, or use it—particularly in fantasy—to create a touchstone for a reader, providing some semblance of grounding in this vast new world you’ve tumbled into.

WE HUNT THE FLAME is one of those books: you’ll find multiple tropes that made their way into the story via some subconscious effort or another (with the exception being the beloved enemies-to-lovers trope, which I knew going in that it had to make an appearance in my book). If I were being truly honest, most of my debut’s content stemmed from some part of my subconscious I’ve yet to understand. So when I was recently asked why I used a particular trope in which Zafira Iskandar, one of the book’s two narrators, masquerades as a boy, it took some thinking on my part to find an answer. Some really deep thinking.

Because it was worded in a way that made me feel wrong: “Isn’t it ironic that Zafira struggles with her gender-obscuring cloak while the author herself is covered?”

Which to me, was asking “was it a secret plea?” The answer, of course, is a resounding no. But the question itself shook me—how could I have done such a thing without thinking it through? Until I figured out why, I knew I wouldn’t be able to justify my answer, even to myself, and it wasn’t long before it hit me.

Zafira Iskandar is headstrong. She’s proud of what she’s done, and she’s content with who she is. It’s the outside world that worries her. In the caliphate of Demenhur (one of the five states that make up the kingdom in which the book takes place), women are scorned upon. They’re blamed for every wrong that befalls the people. This is why Zafira begins masquerading as a boy. It means the Demenhune Hunter is famed and lauded for the selfless act of feeding ‘his’ people. Zafira knows that if her caliphate found her out, she would be shunned, her accomplishments twisted into something ugly. Every false judgement would be placed on her, simply because of who and what she is.

It’s important to know that when I began writing WE HUNT THE FLAME, it was early 2014. I was twenty, and I’d been blogging for around three years then, hiding behind a logo of my blog. I was content, but aware: no one really knew I was Muslim. Which was fine by me. But no one knew I was a niqabi, veiled and very, visibly Muslim. So by 2014, I was making a name for myself in the publishing community, sharing design tips and tricks until the moment of truth dragged everything to a screeching halt: Book Expo America invited me to chat about design in NYC, and to finalize the program, they needed a headshot.

I distinctly remember how simple those words were: send us a high-res headshot and a brief bio, but what they didn’t realize was how life-and-death that moment felt to me. Here I was, steadily growing my presence and establishing a platform, my identity an easily-kept secret, and everything was suddenly teetering off a precipice. Posting a photograph of myself online equated to inviting people to judge me before they got to know me. It invited them to blame me for terrors and horrors and fears and insecurities.

That moment in my life, which was filled with the excitement of being invited to an event I never thought I could attend and the fear that this is it—I’m done for, bled into my writing. It seeped into my words and shaped Zafira into who she is. At that point in time, she was me and I was her.

Because we’re both perfectly content with who we are—it’s the external, unfounded perceptions that scare us. We’ve both learned to fight back against these perceptions. If we don’t challenge them, if we don’t pave a better path for the ones who will follow: who will?

So while I did incorporate a well-loved trope, it took on a new meaning when I realized why I had done it.

I like to think I was weaving in yet another little piece of my soul.

Hafsah Faizal Photo HAFSAH FAIZAL is an American Muslim and brand designer. She’s the founder of IceyDesigns, where she creates websites for authors and beauteous goodies for everyone else. When she’s not writing, she can be found dreaming up her next design, deciding between Assassin’s Creed and Skyrim, or traversing the world. Born in Florida and raised in California, she now resides in Texas with her family and a library of books waiting to be devoured. WE HUNT THE FLAME is her first novel.